TY - JOUR

T1 - Talk on the Wild Side

T2 - Moving Beyond Storytelling in Cities

AU - Dunn, Nicholas Simon

AU - Dubowitz, Dan

PY - 2018/10/15

Y1 - 2018/10/15

N2 - When we arrive in urban situations they often have a problematic narrative through the palimpsest of their development. What we are exploring is how to change this story, inclusively and positively, to help people rewrite the future of their places on the eve of city-scale regeneration projects. We employ narrative in two ways. Firstly, through mining archives and oral histories, locals collect andrecount stories and shape the collective walks we take through lost parts of the city. Secondly, as an action-based method of walking the city collectively, communities and urbanists begin to cowrite a new story of the city. Our practice is concerned with how the future of places can be meaningfully rewritten throughcollaborative engagement with different communities and stakeholders. The crux of who the narrative is for and how it empowers them is essential. Here, we are actively exploring novel ways in which narratives can go beyond existing opportunistic practices of city-branding or simple interpretations, by using creativity to bring places to life in a way that encourages community ownership and empowerment. We are engaged in developing a new paradigm for city-making that centres on the unknown and unseen in the context of Glasgow. How do we capture the fleeting, seemingly ineffable, lost elements of the city and bring them into a narrative that communities can work with? This paper presents dispatches from our ongoing action-research concerning how we write and rewrite the city illustrating how and why such narratives are vital and for who. Before introducing our narrative urbanism approach, we will explain the development of our collaborative practice, combining our individual urban narrative and inscriptive practices of nightwalking (Dunn, 2016) and wastelanding (Dubowitz, 2010) to enable a different way of writing the city with its people. Together, we are now drawing professionals and experts who see the city anew together with citizens, who previously had not been engaged, on nightwalks through areas of the city that are lost and about to be transformed. We are using our narrative method of collective nightwalking to meaningfully involve people in writing the city’s future. Collective walking that creates a new narrative can help us profoundly reconnect with our surroundings and experience, in a powerful and visceral way, and co-write new narratives that exist beyond the daytime. This happens through three stages. Firstly, for people in a neighbourhood to develop a sense of engagement for themselves; secondly, by having done so they develop a collective sense of place through time; and thirdly the process contributes toward empowerment of these citizens to become activists about it. Having unpacked our narrative urbanism practice we will conclude with a discussion on its implications for revelation and the poetics of future city-making.

AB - When we arrive in urban situations they often have a problematic narrative through the palimpsest of their development. What we are exploring is how to change this story, inclusively and positively, to help people rewrite the future of their places on the eve of city-scale regeneration projects. We employ narrative in two ways. Firstly, through mining archives and oral histories, locals collect andrecount stories and shape the collective walks we take through lost parts of the city. Secondly, as an action-based method of walking the city collectively, communities and urbanists begin to cowrite a new story of the city. Our practice is concerned with how the future of places can be meaningfully rewritten throughcollaborative engagement with different communities and stakeholders. The crux of who the narrative is for and how it empowers them is essential. Here, we are actively exploring novel ways in which narratives can go beyond existing opportunistic practices of city-branding or simple interpretations, by using creativity to bring places to life in a way that encourages community ownership and empowerment. We are engaged in developing a new paradigm for city-making that centres on the unknown and unseen in the context of Glasgow. How do we capture the fleeting, seemingly ineffable, lost elements of the city and bring them into a narrative that communities can work with? This paper presents dispatches from our ongoing action-research concerning how we write and rewrite the city illustrating how and why such narratives are vital and for who. Before introducing our narrative urbanism approach, we will explain the development of our collaborative practice, combining our individual urban narrative and inscriptive practices of nightwalking (Dunn, 2016) and wastelanding (Dubowitz, 2010) to enable a different way of writing the city with its people. Together, we are now drawing professionals and experts who see the city anew together with citizens, who previously had not been engaged, on nightwalks through areas of the city that are lost and about to be transformed. We are using our narrative method of collective nightwalking to meaningfully involve people in writing the city’s future. Collective walking that creates a new narrative can help us profoundly reconnect with our surroundings and experience, in a powerful and visceral way, and co-write new narratives that exist beyond the daytime. This happens through three stages. Firstly, for people in a neighbourhood to develop a sense of engagement for themselves; secondly, by having done so they develop a collective sense of place through time; and thirdly the process contributes toward empowerment of these citizens to become activists about it. Having unpacked our narrative urbanism practice we will conclude with a discussion on its implications for revelation and the poetics of future city-making.

KW - urbanism

KW - nightwalking

KW - cities

KW - design

KW - narrative

M3 - Journal article

SP - 33

EP - 37

JO - MONU

JF - MONU

SN - 1860-3211

IS - 29

ER -