Home > Research > Publications & Outputs > The 2011 Egyptian revolution chants

Links

Text available via DOI:

View graph of relations

The 2011 Egyptian revolution chants: a romantic-mutazil moral order

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Published

Standard

The 2011 Egyptian revolution chants: a romantic-mutazil moral order . / Ghanem, Hiba.
In: British Journal of Middle Eastern Studies, Vol. 45, No. 3, 06.2018, p. 430-442.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Ghanem, H 2018, 'The 2011 Egyptian revolution chants: a romantic-mutazil moral order ', British Journal of Middle Eastern Studies, vol. 45, no. 3, pp. 430-442. https://doi.org/10.1080/13530194.2016.1273092

APA

Ghanem, H. (2018). The 2011 Egyptian revolution chants: a romantic-mutazil moral order . British Journal of Middle Eastern Studies, 45(3), 430-442. https://doi.org/10.1080/13530194.2016.1273092

Vancouver

Ghanem H. The 2011 Egyptian revolution chants: a romantic-mutazil moral order . British Journal of Middle Eastern Studies. 2018 Jun;45(3):430-442. Epub 2017 Jan 27. doi: 10.1080/13530194.2016.1273092

Author

Ghanem, Hiba. / The 2011 Egyptian revolution chants : a romantic-mutazil moral order . In: British Journal of Middle Eastern Studies. 2018 ; Vol. 45, No. 3. pp. 430-442.

Bibtex

@article{f7501f31148c45a682b3b7ab7aaa6824,
title = "The 2011 Egyptian revolution chants: a romantic-mutazil moral order ",
abstract = "While most literature on the 2011 Egyptian Revolution chants highlights the revolutionary role of poetry, little attention has been paid to the role that theology plays within this domain. This article argues that reading Abu al-Qassim al-Shabbi{\textquoteright}s poem, {\textquoteleft}Life{\textquoteright}s Will{\textquoteright} (1933), which inspired the chant for the fall of the regime, through the lens of Charles Taylor{\textquoteright}s A Secular Age (2007) sheds light on the political relevance of the theological theme within this poem. The essay re-reads al-Shabbi{\textquoteright}s investment in the Islamic muʿtāzilī doctrine of free will in terms of the creative role that Taylor gives to romantic poetry in creating a community{\textquoteright}s {\textquoteleft}moral order{\textquoteright}. Such an analysis brings to light the contribution that a comparative theological-literary framework can have to the political deliberation on the Arab Spring revolutions, especially the 2011 Egyptian Revolution.",
author = "Hiba Ghanem",
year = "2018",
month = jun,
doi = "10.1080/13530194.2016.1273092",
language = "English",
volume = "45",
pages = "430--442",
journal = "British Journal of Middle Eastern Studies",
issn = "1469-3542",
publisher = "Routledge",
number = "3",

}

RIS

TY - JOUR

T1 - The 2011 Egyptian revolution chants

T2 - a romantic-mutazil moral order

AU - Ghanem, Hiba

PY - 2018/6

Y1 - 2018/6

N2 - While most literature on the 2011 Egyptian Revolution chants highlights the revolutionary role of poetry, little attention has been paid to the role that theology plays within this domain. This article argues that reading Abu al-Qassim al-Shabbi’s poem, ‘Life’s Will’ (1933), which inspired the chant for the fall of the regime, through the lens of Charles Taylor’s A Secular Age (2007) sheds light on the political relevance of the theological theme within this poem. The essay re-reads al-Shabbi’s investment in the Islamic muʿtāzilī doctrine of free will in terms of the creative role that Taylor gives to romantic poetry in creating a community’s ‘moral order’. Such an analysis brings to light the contribution that a comparative theological-literary framework can have to the political deliberation on the Arab Spring revolutions, especially the 2011 Egyptian Revolution.

AB - While most literature on the 2011 Egyptian Revolution chants highlights the revolutionary role of poetry, little attention has been paid to the role that theology plays within this domain. This article argues that reading Abu al-Qassim al-Shabbi’s poem, ‘Life’s Will’ (1933), which inspired the chant for the fall of the regime, through the lens of Charles Taylor’s A Secular Age (2007) sheds light on the political relevance of the theological theme within this poem. The essay re-reads al-Shabbi’s investment in the Islamic muʿtāzilī doctrine of free will in terms of the creative role that Taylor gives to romantic poetry in creating a community’s ‘moral order’. Such an analysis brings to light the contribution that a comparative theological-literary framework can have to the political deliberation on the Arab Spring revolutions, especially the 2011 Egyptian Revolution.

U2 - 10.1080/13530194.2016.1273092

DO - 10.1080/13530194.2016.1273092

M3 - Journal article

VL - 45

SP - 430

EP - 442

JO - British Journal of Middle Eastern Studies

JF - British Journal of Middle Eastern Studies

SN - 1469-3542

IS - 3

ER -