TY - JOUR

T1 - The dark side of optimism

T2 - Musical dreams, belief and gambling

AU - Musgrave, George

AU - Gross, Sally

AU - Klein, Maike

PY - 2024/12/1

Y1 - 2024/12/1

N2 - Being a career musician is typified by high risk. Despite low earnings, many musicians pursue their careers driven by self-belief, high expectations, and optimism. However, failure to obtain the success many optimistically aspire to has been seen to pose psychosocial risks relating to mental health conditions such as anxiety and depression. While studies have shown dispositional optimism as having many health-related benefits, it has also been conceptualised negatively in encouraging a tendency towards loss-making in one key area: gambling. In this article we develop the argument that the risks of professional music-making are analogous to gambling, and the optimism displayed by many aspiring career musicians may therefore represent a form of what Berlant calls cruel optimism, with negative effects on mental health and wellbeing. In doing so, we draw on Berlant’s theoretical position to examine the potentially harmful intersections between risk-taking behaviours and creative desire. Drawing also on our clinical experience, we consider when and how musicians who are emotionally struggling with their work might find it advantageous to reorient their careers, or even withdraw from the labour market altogether, to support their health and wellbeing, and the challenges around the loss of identity these can present.

AB - Being a career musician is typified by high risk. Despite low earnings, many musicians pursue their careers driven by self-belief, high expectations, and optimism. However, failure to obtain the success many optimistically aspire to has been seen to pose psychosocial risks relating to mental health conditions such as anxiety and depression. While studies have shown dispositional optimism as having many health-related benefits, it has also been conceptualised negatively in encouraging a tendency towards loss-making in one key area: gambling. In this article we develop the argument that the risks of professional music-making are analogous to gambling, and the optimism displayed by many aspiring career musicians may therefore represent a form of what Berlant calls cruel optimism, with negative effects on mental health and wellbeing. In doing so, we draw on Berlant’s theoretical position to examine the potentially harmful intersections between risk-taking behaviours and creative desire. Drawing also on our clinical experience, we consider when and how musicians who are emotionally struggling with their work might find it advantageous to reorient their careers, or even withdraw from the labour market altogether, to support their health and wellbeing, and the challenges around the loss of identity these can present.

U2 - 10.1177/10298649241230673

DO - 10.1177/10298649241230673

M3 - Journal article

VL - 28

SP - 634

EP - 648

JO - Musicae Scientae

JF - Musicae Scientae

IS - 4

ER -