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The factory of illusions in the ‘Third Rome’: Circus Maximus as a space of fascist simulation

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The factory of illusions in the ‘Third Rome’: Circus Maximus as a space of fascist simulation. / Kallis, Aristotle.
In: Fascism, Vol. 3, No. 1, 12.04.2014, p. 20-45.

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@article{d7ef63f1c3dd4f8985898ff5b9860123,
title = "The factory of illusions in the {\textquoteleft}Third Rome{\textquoteright}: Circus Maximus as a space of fascist simulation",
abstract = "Although the site of the ancient Circus Maximus was one of the most loaded spaces of the Fascist {\textquoteleft}Third Rome{\textquoteright}, it has received limited attention as a privileged site where a dizzying array of myths and illusions were entertained, simulated, and deposited as new Fascist layers on Rome{\textquoteright}s urban and mnemonic palimpsest. Previously a decayed, {\textquoteleft}unsightly{\textquoteright}, and overcrowded hodgepodge of layers of life, history, and memory, it was substantially restored, ruthlessly emptied of its previous life, and then used for a multitude of Fascist rituals and projections (parades, celebrations, exhibitions, mass spectacles). In this article, I explore the diverse facets of the circus{\textquoteright}s transformation in the 1930s and argue that the site was used as a prime space of enacting and simulating the full thrust of the Fascist regime{\textquoteright}s regenerative repertoire, involving erasure and disruption of layers of the past, new additive elements and spatial practices, as well as a multitude of projections of a decidedly modern Fascist new order and temporality.",
keywords = "fascism , Italy , Rome, archaeology, Mussolini, modernism, Third Rome, architecture, space, Circus Maximus, romanit{\`a}, exhibitions",
author = "Aristotle Kallis",
note = "This is an open access article distributed under the terms of the Creative Commons Attribution 3.0 Unported (CC-BY-NC 3.0) License. http://creativecommons.org/licenses/by/3.0/",
year = "2014",
month = apr,
day = "12",
doi = "10.1163/22116257-00301002",
language = "English",
volume = "3",
pages = "20--45",
journal = "Fascism",
issn = "2211-6249",
publisher = "Brill",
number = "1",

}

RIS

TY - JOUR

T1 - The factory of illusions in the ‘Third Rome’

T2 - Circus Maximus as a space of fascist simulation

AU - Kallis, Aristotle

N1 - This is an open access article distributed under the terms of the Creative Commons Attribution 3.0 Unported (CC-BY-NC 3.0) License. http://creativecommons.org/licenses/by/3.0/

PY - 2014/4/12

Y1 - 2014/4/12

N2 - Although the site of the ancient Circus Maximus was one of the most loaded spaces of the Fascist ‘Third Rome’, it has received limited attention as a privileged site where a dizzying array of myths and illusions were entertained, simulated, and deposited as new Fascist layers on Rome’s urban and mnemonic palimpsest. Previously a decayed, ‘unsightly’, and overcrowded hodgepodge of layers of life, history, and memory, it was substantially restored, ruthlessly emptied of its previous life, and then used for a multitude of Fascist rituals and projections (parades, celebrations, exhibitions, mass spectacles). In this article, I explore the diverse facets of the circus’s transformation in the 1930s and argue that the site was used as a prime space of enacting and simulating the full thrust of the Fascist regime’s regenerative repertoire, involving erasure and disruption of layers of the past, new additive elements and spatial practices, as well as a multitude of projections of a decidedly modern Fascist new order and temporality.

AB - Although the site of the ancient Circus Maximus was one of the most loaded spaces of the Fascist ‘Third Rome’, it has received limited attention as a privileged site where a dizzying array of myths and illusions were entertained, simulated, and deposited as new Fascist layers on Rome’s urban and mnemonic palimpsest. Previously a decayed, ‘unsightly’, and overcrowded hodgepodge of layers of life, history, and memory, it was substantially restored, ruthlessly emptied of its previous life, and then used for a multitude of Fascist rituals and projections (parades, celebrations, exhibitions, mass spectacles). In this article, I explore the diverse facets of the circus’s transformation in the 1930s and argue that the site was used as a prime space of enacting and simulating the full thrust of the Fascist regime’s regenerative repertoire, involving erasure and disruption of layers of the past, new additive elements and spatial practices, as well as a multitude of projections of a decidedly modern Fascist new order and temporality.

KW - fascism

KW - Italy

KW - Rome

KW - archaeology

KW - Mussolini

KW - modernism

KW - Third Rome

KW - architecture

KW - space

KW - Circus Maximus

KW - romanità

KW - exhibitions

U2 - 10.1163/22116257-00301002

DO - 10.1163/22116257-00301002

M3 - Journal article

VL - 3

SP - 20

EP - 45

JO - Fascism

JF - Fascism

SN - 2211-6249

IS - 1

ER -