TY - JOUR

T1 - The psychoanalytic structure of trauma

T2 - Spellbound

AU - Rushton, Richard

PY - 2004

Y1 - 2004

N2 - This essay engages in a close analysis of two films, Alfred Hitchcock’s Spellbound (1945) and Ang Lee’s Hulk (2003), in order to examine their approaches to trauma, especially in relation to the psychoanalytic notion of Nachträglichkeit (“afterwardsness”). A complex notion of afterwardsness is proposed whereby it is predicated on a relationship between two events, but where the importance of afterwardsness is not seen to lie in the nature of the events but rather on what determines the relationship between the two events. This determining relation thus leads to a notion of the structure of trauma and the argument that the crucial factor in a psychoanalytic approach to trauma lies not in an uncovering of traumatic events, but rather on the structure that retrospectively makes events traumatic.

AB - This essay engages in a close analysis of two films, Alfred Hitchcock’s Spellbound (1945) and Ang Lee’s Hulk (2003), in order to examine their approaches to trauma, especially in relation to the psychoanalytic notion of Nachträglichkeit (“afterwardsness”). A complex notion of afterwardsness is proposed whereby it is predicated on a relationship between two events, but where the importance of afterwardsness is not seen to lie in the nature of the events but rather on what determines the relationship between the two events. This determining relation thus leads to a notion of the structure of trauma and the argument that the crucial factor in a psychoanalytic approach to trauma lies not in an uncovering of traumatic events, but rather on the structure that retrospectively makes events traumatic.

U2 - 10.1080/1479758042000264993

DO - 10.1080/1479758042000264993

M3 - Journal article

VL - 8

SP - 371

EP - 384

JO - Journal for Cultural Research

JF - Journal for Cultural Research

SN - 1479-7585

IS - 3

ER -