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The Spectacular Mundane in the Films of Studio Ghibli

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The Spectacular Mundane in the Films of Studio Ghibli. / Crombie, Zoe.
In: Journal of Anime and Manga Studies, 29.11.2021, p. 1-26.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Crombie Z. The Spectacular Mundane in the Films of Studio Ghibli. Journal of Anime and Manga Studies. 2021 Nov 29;1-26. 1. doi: 10.21900/j.jams.v2.507

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Crombie, Zoe. / The Spectacular Mundane in the Films of Studio Ghibli. In: Journal of Anime and Manga Studies. 2021 ; pp. 1-26.

Bibtex

@article{12f19191b7474994bc6df216cc89123a,
title = "The Spectacular Mundane in the Films of Studio Ghibli",
abstract = "This article examines how Studio Ghibli constructs the mundane activities shown in their films as spectacular. Looking at the history of the ways in which domestic and routine events are depicted in Japanese animation, I will use various methodologies, beginning with formalism and phenomenology before moving on to feminism and Marxism to critically analyse several Ghibli films as case studies –My Neighbors The Yamadas (1999, Hōhokekyo Tonari no Yamada kun), Only Yesterday (1991, Omoide Poro Poro), and Howl {\textquoteright}s Moving Castle (2004, Hauru no Ugoku Shiro). Using these methodologies, the films are placed into a broader cinematic context, and the filmic legacy of their treatment of the mundane is explored.",
keywords = "Studio Ghibli, anime, film studies, animation",
author = "Zoe Crombie",
year = "2021",
month = nov,
day = "29",
doi = "10.21900/j.jams.v2.507",
language = "English",
pages = "1--26",
journal = "Journal of Anime and Manga Studies",
issn = "2689-2596",

}

RIS

TY - JOUR

T1 - The Spectacular Mundane in the Films of Studio Ghibli

AU - Crombie, Zoe

PY - 2021/11/29

Y1 - 2021/11/29

N2 - This article examines how Studio Ghibli constructs the mundane activities shown in their films as spectacular. Looking at the history of the ways in which domestic and routine events are depicted in Japanese animation, I will use various methodologies, beginning with formalism and phenomenology before moving on to feminism and Marxism to critically analyse several Ghibli films as case studies –My Neighbors The Yamadas (1999, Hōhokekyo Tonari no Yamada kun), Only Yesterday (1991, Omoide Poro Poro), and Howl ’s Moving Castle (2004, Hauru no Ugoku Shiro). Using these methodologies, the films are placed into a broader cinematic context, and the filmic legacy of their treatment of the mundane is explored.

AB - This article examines how Studio Ghibli constructs the mundane activities shown in their films as spectacular. Looking at the history of the ways in which domestic and routine events are depicted in Japanese animation, I will use various methodologies, beginning with formalism and phenomenology before moving on to feminism and Marxism to critically analyse several Ghibli films as case studies –My Neighbors The Yamadas (1999, Hōhokekyo Tonari no Yamada kun), Only Yesterday (1991, Omoide Poro Poro), and Howl ’s Moving Castle (2004, Hauru no Ugoku Shiro). Using these methodologies, the films are placed into a broader cinematic context, and the filmic legacy of their treatment of the mundane is explored.

KW - Studio Ghibli

KW - anime

KW - film studies

KW - animation

U2 - 10.21900/j.jams.v2.507

DO - 10.21900/j.jams.v2.507

M3 - Journal article

SP - 1

EP - 26

JO - Journal of Anime and Manga Studies

JF - Journal of Anime and Manga Studies

SN - 2689-2596

M1 - 1

ER -