'The West' in German cultural criticism during the long nineteenth century

History

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

Published

Standard

'The West' in German cultural criticism during the long nineteenth century. / Rohkramer, Thomas.
Germany and 'the West': the history of a modern concept. ed. / Riccardo Bavaj; Martina Steber. Oxford: Berghahn Press, 2015. p. 201-215.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

Harvard

Rohkramer, T 2015, 'The West' in German cultural criticism during the long nineteenth century. in R Bavaj & M Steber (eds), Germany and 'the West': the history of a modern concept. Berghahn Press, Oxford, pp. 201-215.

APA

Rohkramer, T. (2015). 'The West' in German cultural criticism during the long nineteenth century. In R. Bavaj, & M. Steber (Eds.), Germany and 'the West': the history of a modern concept (pp. 201-215). Berghahn Press.

Vancouver

Rohkramer T. 'The West' in German cultural criticism during the long nineteenth century. In Bavaj R, Steber M, editors, Germany and 'the West': the history of a modern concept. Oxford: Berghahn Press. 2015. p. 201-215

Author

Rohkramer, Thomas. / 'The West' in German cultural criticism during the long nineteenth century. Germany and 'the West': the history of a modern concept. editor / Riccardo Bavaj ; Martina Steber. Oxford : Berghahn Press, 2015. pp. 201-215

Bibtex

@inbook{f229ee6dfedd4b74806268f8ae476db9,

title = "'The West' in German cultural criticism during the long nineteenth century",

abstract = "Images about the Western nations played an important role in cultural criticism throughout the nineteenth century. This chapter argues, however, that the images of Britain, France and America remained quite distinct until 1914. It took the enmity of the First World War for a polarised dichotomy between Germany and a singular West to become a crucial topic. With the war the alleged ills of modern society came to be associated primarily with the West, while an idealised Germanness emerged as the hope for overcoming the dark side of modernity. With the continued tensions after 1918, this way of thinking continued: not only was the Versailles treaty blamed for the ills of society, but also the Republic as an 'un-German' political structure imposed by the West. Thus the supporters of the Weimar Republic als became associated with an allegedly un-German Western orientation while the Right rallied behind the call for a German re-awakening.",

author = "Thomas Rohkramer",

year = "2015",

month = apr,

day = "30",

language = "English",

isbn = "9781782385974",

pages = "201--215",

editor = "Riccardo Bavaj and Martina Steber",

booktitle = "Germany and 'the West'",

publisher = "Berghahn Press",

}

RIS

TY - CHAP

T1 - 'The West' in German cultural criticism during the long nineteenth century

AU - Rohkramer, Thomas

PY - 2015/4/30

Y1 - 2015/4/30

N2 - Images about the Western nations played an important role in cultural criticism throughout the nineteenth century. This chapter argues, however, that the images of Britain, France and America remained quite distinct until 1914. It took the enmity of the First World War for a polarised dichotomy between Germany and a singular West to become a crucial topic. With the war the alleged ills of modern society came to be associated primarily with the West, while an idealised Germanness emerged as the hope for overcoming the dark side of modernity. With the continued tensions after 1918, this way of thinking continued: not only was the Versailles treaty blamed for the ills of society, but also the Republic as an 'un-German' political structure imposed by the West. Thus the supporters of the Weimar Republic als became associated with an allegedly un-German Western orientation while the Right rallied behind the call for a German re-awakening.

AB - Images about the Western nations played an important role in cultural criticism throughout the nineteenth century. This chapter argues, however, that the images of Britain, France and America remained quite distinct until 1914. It took the enmity of the First World War for a polarised dichotomy between Germany and a singular West to become a crucial topic. With the war the alleged ills of modern society came to be associated primarily with the West, while an idealised Germanness emerged as the hope for overcoming the dark side of modernity. With the continued tensions after 1918, this way of thinking continued: not only was the Versailles treaty blamed for the ills of society, but also the Republic as an 'un-German' political structure imposed by the West. Thus the supporters of the Weimar Republic als became associated with an allegedly un-German Western orientation while the Right rallied behind the call for a German re-awakening.

M3 - Chapter (peer-reviewed)

SN - 9781782385974

SP - 201

EP - 215

BT - Germany and 'the West'

A2 - Bavaj, Riccardo

A2 - Steber, Martina

PB - Berghahn Press

CY - Oxford

ER -

Research