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    Rights statement: http://journals.cambridge.org/action/displayJournal?jid=NTQ The final, definitive version of this article has been published in the Journal, New Theatre Quarterly 16 (1), pp 17-25 2000, © 2000 Cambridge University Press.

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Transforming women's lives: Bobby Baker's performances of Daily Life

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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Transforming women's lives: Bobby Baker's performances of Daily Life. / Aston, Elaine.
In: New Theatre Quarterly, Vol. 16, No. 1, 02.2000, p. 17-25.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Aston, E 2000, 'Transforming women's lives: Bobby Baker's performances of Daily Life', New Theatre Quarterly, vol. 16, no. 1, pp. 17-25. https://doi.org/10.1017/S0266464X00013427

APA

Aston, E. (2000). Transforming women's lives: Bobby Baker's performances of Daily Life. New Theatre Quarterly, 16(1), 17-25. https://doi.org/10.1017/S0266464X00013427

Vancouver

Aston E. Transforming women's lives: Bobby Baker's performances of Daily Life. New Theatre Quarterly. 2000 Feb;16(1):17-25. doi: 10.1017/S0266464X00013427

Author

Aston, Elaine. / Transforming women's lives : Bobby Baker's performances of Daily Life. In: New Theatre Quarterly. 2000 ; Vol. 16, No. 1. pp. 17-25.

Bibtex

@article{6f0e62b32e364387b55526f72af6172a,
title = "Transforming women's lives: Bobby Baker's performances of Daily Life",
abstract = "In an earlier issue of New Theatre Quarterly, NTQ55 (August 1998), Marcia Blumberg examined the setting of the kitchen in performances by Bobby Baker and Jeanne Goosen, arguing for the 'transitional and transgressive' possibilities of this domesticum-performance space. Here, Elaine Aston returns to the 'kitchen' in Bobby Baker's performances of 'daily life.' The article examines Baker's 'language' of food which 'speaks' of domesticity, and her conjunction of comic playing and the hysterical marking of the body, to show how her performance work constitutes an angry, feminist protest at the lack of social transformation in women's lives.",
author = "Elaine Aston",
note = "http://journals.cambridge.org/action/displayJournal?jid=NTQ The final, definitive version of this article has been published in the Journal, New Theatre Quarterly 16 (1), pp 17-25 2000, {\textcopyright} 2000 Cambridge University Press.",
year = "2000",
month = feb,
doi = "10.1017/S0266464X00013427",
language = "English",
volume = "16",
pages = "17--25",
journal = "New Theatre Quarterly",
issn = "0266-464X",
publisher = "Cambridge University Press",
number = "1",

}

RIS

TY - JOUR

T1 - Transforming women's lives

T2 - Bobby Baker's performances of Daily Life

AU - Aston, Elaine

N1 - http://journals.cambridge.org/action/displayJournal?jid=NTQ The final, definitive version of this article has been published in the Journal, New Theatre Quarterly 16 (1), pp 17-25 2000, © 2000 Cambridge University Press.

PY - 2000/2

Y1 - 2000/2

N2 - In an earlier issue of New Theatre Quarterly, NTQ55 (August 1998), Marcia Blumberg examined the setting of the kitchen in performances by Bobby Baker and Jeanne Goosen, arguing for the 'transitional and transgressive' possibilities of this domesticum-performance space. Here, Elaine Aston returns to the 'kitchen' in Bobby Baker's performances of 'daily life.' The article examines Baker's 'language' of food which 'speaks' of domesticity, and her conjunction of comic playing and the hysterical marking of the body, to show how her performance work constitutes an angry, feminist protest at the lack of social transformation in women's lives.

AB - In an earlier issue of New Theatre Quarterly, NTQ55 (August 1998), Marcia Blumberg examined the setting of the kitchen in performances by Bobby Baker and Jeanne Goosen, arguing for the 'transitional and transgressive' possibilities of this domesticum-performance space. Here, Elaine Aston returns to the 'kitchen' in Bobby Baker's performances of 'daily life.' The article examines Baker's 'language' of food which 'speaks' of domesticity, and her conjunction of comic playing and the hysterical marking of the body, to show how her performance work constitutes an angry, feminist protest at the lack of social transformation in women's lives.

U2 - 10.1017/S0266464X00013427

DO - 10.1017/S0266464X00013427

M3 - Journal article

VL - 16

SP - 17

EP - 25

JO - New Theatre Quarterly

JF - New Theatre Quarterly

SN - 0266-464X

IS - 1

ER -