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Two Minute Brother: Contestation through Gender, Race and Sexuality

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Two Minute Brother: Contestation through Gender, Race and Sexuality. / Skeggs, Beverley.
In: Innovation: The European Journal of Social Science Research, Vol. 6, No. 3, 01.09.1993, p. 299-322.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Skeggs, B 1993, 'Two Minute Brother: Contestation through Gender, Race and Sexuality', Innovation: The European Journal of Social Science Research, vol. 6, no. 3, pp. 299-322. https://doi.org/10.1080/13511610.1993.9968358

APA

Skeggs, B. (1993). Two Minute Brother: Contestation through Gender, Race and Sexuality. Innovation: The European Journal of Social Science Research, 6(3), 299-322. https://doi.org/10.1080/13511610.1993.9968358

Vancouver

Skeggs B. Two Minute Brother: Contestation through Gender, Race and Sexuality. Innovation: The European Journal of Social Science Research. 1993 Sept 1;6(3):299-322. doi: 10.1080/13511610.1993.9968358

Author

Skeggs, Beverley. / Two Minute Brother : Contestation through Gender, Race and Sexuality. In: Innovation: The European Journal of Social Science Research. 1993 ; Vol. 6, No. 3. pp. 299-322.

Bibtex

@article{93ddd1000a714c6f8cf459b2b16dec0b,
title = "Two Minute Brother: Contestation through Gender, Race and Sexuality",
abstract = "This article shows how a group of American Black female musicians are rapping themselves into existence against the powerless positions (both economic and cultural) that are offered to them. They talk back talk Black (bell hooks, [sic.] 1984) to colonialism. Firstly, they ridicule and undermine the strutting bragging form of masculinity that wants to keep women firmly located as sexual objects. This article shows how this form of Black masculinity is itself a product of Black male cultural resistance to the racist myths that were used to legitimate slavery. Nevertheless, it operates to control and contain women and the expression of their sexuality. Secondly, the female rappers defiantly speak to the traditional feminine discourses of maternalism, and its accompanying duties and obligations. Unlike many Black women who are able to use motherhood and the family to resist racism, these female rappers locate themselves firmly against tradition. They use rap music as the form in which to voice these challenges, investing the explicit sexual language of rap with new meanings. They use a demand discourse to celebrate female sexuality and autonomy, articulating what is a usually perniciously silenced sexuality. Drawing upon a long tradition in Black female music (see Carby, 1986) the female rappers turn themselves from sexual objects into sexual subjects. In so doing they challenge the basis of the social order which seeks to contain them.",
author = "Beverley Skeggs",
year = "1993",
month = sep,
day = "1",
doi = "10.1080/13511610.1993.9968358",
language = "English",
volume = "6",
pages = "299--322",
journal = "Innovation: The European Journal of Social Science Research",
issn = "1351-1610",
publisher = "Routledge",
number = "3",

}

RIS

TY - JOUR

T1 - Two Minute Brother

T2 - Contestation through Gender, Race and Sexuality

AU - Skeggs, Beverley

PY - 1993/9/1

Y1 - 1993/9/1

N2 - This article shows how a group of American Black female musicians are rapping themselves into existence against the powerless positions (both economic and cultural) that are offered to them. They talk back talk Black (bell hooks, [sic.] 1984) to colonialism. Firstly, they ridicule and undermine the strutting bragging form of masculinity that wants to keep women firmly located as sexual objects. This article shows how this form of Black masculinity is itself a product of Black male cultural resistance to the racist myths that were used to legitimate slavery. Nevertheless, it operates to control and contain women and the expression of their sexuality. Secondly, the female rappers defiantly speak to the traditional feminine discourses of maternalism, and its accompanying duties and obligations. Unlike many Black women who are able to use motherhood and the family to resist racism, these female rappers locate themselves firmly against tradition. They use rap music as the form in which to voice these challenges, investing the explicit sexual language of rap with new meanings. They use a demand discourse to celebrate female sexuality and autonomy, articulating what is a usually perniciously silenced sexuality. Drawing upon a long tradition in Black female music (see Carby, 1986) the female rappers turn themselves from sexual objects into sexual subjects. In so doing they challenge the basis of the social order which seeks to contain them.

AB - This article shows how a group of American Black female musicians are rapping themselves into existence against the powerless positions (both economic and cultural) that are offered to them. They talk back talk Black (bell hooks, [sic.] 1984) to colonialism. Firstly, they ridicule and undermine the strutting bragging form of masculinity that wants to keep women firmly located as sexual objects. This article shows how this form of Black masculinity is itself a product of Black male cultural resistance to the racist myths that were used to legitimate slavery. Nevertheless, it operates to control and contain women and the expression of their sexuality. Secondly, the female rappers defiantly speak to the traditional feminine discourses of maternalism, and its accompanying duties and obligations. Unlike many Black women who are able to use motherhood and the family to resist racism, these female rappers locate themselves firmly against tradition. They use rap music as the form in which to voice these challenges, investing the explicit sexual language of rap with new meanings. They use a demand discourse to celebrate female sexuality and autonomy, articulating what is a usually perniciously silenced sexuality. Drawing upon a long tradition in Black female music (see Carby, 1986) the female rappers turn themselves from sexual objects into sexual subjects. In so doing they challenge the basis of the social order which seeks to contain them.

U2 - 10.1080/13511610.1993.9968358

DO - 10.1080/13511610.1993.9968358

M3 - Journal article

AN - SCOPUS:0040808030

VL - 6

SP - 299

EP - 322

JO - Innovation: The European Journal of Social Science Research

JF - Innovation: The European Journal of Social Science Research

SN - 1351-1610

IS - 3

ER -