TY - JOUR

T1 - Visual meditations, affordances and social capital

AU - Prieto-Blanco, Patricia

PY - 2018

Y1 - 2018

N2 - Spatial dislocation of migrants is a catalyst for early, heavy and informed media use (Ponzanesi & Leurs 2014); as well as a motif for transnational families to form families of choice (Beck-Gernsheim 1998; Weston 1997). This text reports on how Irish-Spanish families living in Ireland manage this situation. It argues that (digital) photographic exchanges give rise to mediated third places (Oldenburg, 1989), where (dis)affect and belonging are negotiated. Transnational families visually mediate their domestic spaces regularly. The double visual mediation of presence and space forms part of their everyday. This, in turn, outlines current developments in how (digital) photography is used to mediate actions and emotions. In accounting for and reflecting about how (dis)affective communities of place activate affordances of media, photography emerges as a multi-dimensional site of image production, distribution and storage, in short, as a practice that is both unique to the socio-cultural moment in which it is embedded, and general enough to be recognized as such across cultures and societies.

AB - Spatial dislocation of migrants is a catalyst for early, heavy and informed media use (Ponzanesi & Leurs 2014); as well as a motif for transnational families to form families of choice (Beck-Gernsheim 1998; Weston 1997). This text reports on how Irish-Spanish families living in Ireland manage this situation. It argues that (digital) photographic exchanges give rise to mediated third places (Oldenburg, 1989), where (dis)affect and belonging are negotiated. Transnational families visually mediate their domestic spaces regularly. The double visual mediation of presence and space forms part of their everyday. This, in turn, outlines current developments in how (digital) photography is used to mediate actions and emotions. In accounting for and reflecting about how (dis)affective communities of place activate affordances of media, photography emerges as a multi-dimensional site of image production, distribution and storage, in short, as a practice that is both unique to the socio-cultural moment in which it is embedded, and general enough to be recognized as such across cultures and societies.

KW - diaspora

KW - experience of place

KW - new media

KW - photography

KW - visual mediation

U2 - 10.47659/m4.076.art

DO - 10.47659/m4.076.art

M3 - Journal article

VL - 3

JO - Membrana Journal of Photography

JF - Membrana Journal of Photography

IS - 1

ER -