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War, Gender, and Lasting Emotion: Letters and Photographs of Masha Bruskina and Olga Bancic, 1941-44

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War, Gender, and Lasting Emotion: Letters and Photographs of Masha Bruskina and Olga Bancic, 1941-44. / Camino Maroto, Mercedes.
In: Women's History Review, Vol. 32, No. 1, 02.01.2023, p. 36-61.

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Camino Maroto M. War, Gender, and Lasting Emotion: Letters and Photographs of Masha Bruskina and Olga Bancic, 1941-44. Women's History Review. 2023 Jan 2;32(1):36-61. Epub 2022 Jun 27. doi: 10.1080/09612025.2022.2088089

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@article{fb8d0ba98cff4fce89db40bebd3df409,
title = "War, Gender, and Lasting Emotion: Letters and Photographs of Masha Bruskina and Olga Bancic, 1941-44",
abstract = "On 21 October 1941, seventeen-year-old Masha Bruskina was hanged in Minsk, a fate thinly veiled in a note smuggled out of prison to her mother in the ghetto. Bessarabian Jew Olga Bancic addressed her last letter to her daughter, Dolores, the day before she was decapitated in Stuttgart in May 1944. Caught at a fleeting juncture between life and death, these letters became memento mori and now appear on websites that do neither mention their origins and trajectories nor the role played by intermediaries, motivated by humanism, political allegiance, and economic gain. Also disregarded is the fact that Bruskina's letter shared the fate of her mother, who was murdered two weeks after her daughter. While the decontextualised use of the letters, often accompanied by photographs, elicits an emotional response, this article will show that it also extends the violence inflicted on these women. By tracing the journeys of these letters and photographs my investigation will reveal affective and micro-economic relationships that individualise these Holocaust victims. Even if their executions illustrate Foucault's {\textquoteleft}economies of punishment{\textquoteright}, the material culture that speaks for them merges affect with activism, foregrounding a means to resist that has been ignored or misappropriated.",
keywords = "Epistolary tradition, atrocity photographs, family album, holocaust, partisans, punishments, gender, Olga Bancic, Masha Bruskina, Manouchian Group",
author = "{Camino Maroto}, Mercedes",
year = "2023",
month = jan,
day = "2",
doi = "10.1080/09612025.2022.2088089",
language = "English",
volume = "32",
pages = "36--61",
journal = "Women's History Review",
issn = "0961-2025",
publisher = "Taylor and Francis Ltd.",
number = "1",

}

RIS

TY - JOUR

T1 - War, Gender, and Lasting Emotion

T2 - Letters and Photographs of Masha Bruskina and Olga Bancic, 1941-44

AU - Camino Maroto, Mercedes

PY - 2023/1/2

Y1 - 2023/1/2

N2 - On 21 October 1941, seventeen-year-old Masha Bruskina was hanged in Minsk, a fate thinly veiled in a note smuggled out of prison to her mother in the ghetto. Bessarabian Jew Olga Bancic addressed her last letter to her daughter, Dolores, the day before she was decapitated in Stuttgart in May 1944. Caught at a fleeting juncture between life and death, these letters became memento mori and now appear on websites that do neither mention their origins and trajectories nor the role played by intermediaries, motivated by humanism, political allegiance, and economic gain. Also disregarded is the fact that Bruskina's letter shared the fate of her mother, who was murdered two weeks after her daughter. While the decontextualised use of the letters, often accompanied by photographs, elicits an emotional response, this article will show that it also extends the violence inflicted on these women. By tracing the journeys of these letters and photographs my investigation will reveal affective and micro-economic relationships that individualise these Holocaust victims. Even if their executions illustrate Foucault's ‘economies of punishment’, the material culture that speaks for them merges affect with activism, foregrounding a means to resist that has been ignored or misappropriated.

AB - On 21 October 1941, seventeen-year-old Masha Bruskina was hanged in Minsk, a fate thinly veiled in a note smuggled out of prison to her mother in the ghetto. Bessarabian Jew Olga Bancic addressed her last letter to her daughter, Dolores, the day before she was decapitated in Stuttgart in May 1944. Caught at a fleeting juncture between life and death, these letters became memento mori and now appear on websites that do neither mention their origins and trajectories nor the role played by intermediaries, motivated by humanism, political allegiance, and economic gain. Also disregarded is the fact that Bruskina's letter shared the fate of her mother, who was murdered two weeks after her daughter. While the decontextualised use of the letters, often accompanied by photographs, elicits an emotional response, this article will show that it also extends the violence inflicted on these women. By tracing the journeys of these letters and photographs my investigation will reveal affective and micro-economic relationships that individualise these Holocaust victims. Even if their executions illustrate Foucault's ‘economies of punishment’, the material culture that speaks for them merges affect with activism, foregrounding a means to resist that has been ignored or misappropriated.

KW - Epistolary tradition

KW - atrocity photographs

KW - family album

KW - holocaust

KW - partisans

KW - punishments

KW - gender

KW - Olga Bancic

KW - Masha Bruskina

KW - Manouchian Group

U2 - 10.1080/09612025.2022.2088089

DO - 10.1080/09612025.2022.2088089

M3 - Journal article

VL - 32

SP - 36

EP - 61

JO - Women's History Review

JF - Women's History Review

SN - 0961-2025

IS - 1

ER -