Rights statement: This is an Accepted Manuscript of an article published by Taylor & Francis in Design and Culture on 26/09/2017, available online:https://www.tandfonline.com/doi/abs/10.1080/17547075.2017.1370310
Accepted author manuscript, 236 KB, PDF document
Available under license: CC BY-NC: Creative Commons Attribution-NonCommercial 4.0 International License
Final published version
Research output: Contribution to Journal/Magazine › Journal article › peer-review
<mark>Journal publication date</mark> | 1/12/2017 |
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<mark>Journal</mark> | Design and Culture |
Issue number | 3 |
Volume | 9 |
Number of pages | 17 |
Pages (from-to) | 283-299 |
Publication Status | Published |
Early online date | 26/09/17 |
<mark>Original language</mark> | English |
Across the world, “culturally significant” designs, products, and practices–such as traditional crafts–have been pushed to the margins by the forces of modernization and globalization. Appreciation of the positive attributes of these traditions drives widespread revitalization initiatives, often involving designers. Awareness of the cultural ramifications of design-led revitalization may deter enthusiasm for radical initiatives and instead promote preservation efforts. Yet a deconstruction of the popular understandings of tradition and origin indicates a need for change and cross-cultural contact. This article proposes that social value–central to a traditional craft’s cultural significance–should be used to guide revitalization.