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Writing on Borderlines: Anglo-Welsh Relations in Thomas Churchyard's The Worthines of Wales

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Writing on Borderlines: Anglo-Welsh Relations in Thomas Churchyard's The Worthines of Wales. / Oakley-Brown, Liz.
Writing Wales, from the Renaissance to Romanticism. Routledge, 2012. p. 39-58.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

Harvard

Oakley-Brown, L 2012, Writing on Borderlines: Anglo-Welsh Relations in Thomas Churchyard's The Worthines of Wales. in Writing Wales, from the Renaissance to Romanticism. Routledge, pp. 39-58. https://doi.org/10.4324/9781315546131-4

APA

Oakley-Brown, L. (2012). Writing on Borderlines: Anglo-Welsh Relations in Thomas Churchyard's The Worthines of Wales. In Writing Wales, from the Renaissance to Romanticism (pp. 39-58). Routledge. https://doi.org/10.4324/9781315546131-4

Vancouver

Oakley-Brown L. Writing on Borderlines: Anglo-Welsh Relations in Thomas Churchyard's The Worthines of Wales. In Writing Wales, from the Renaissance to Romanticism. Routledge. 2012. p. 39-58 doi: 10.4324/9781315546131-4

Author

Oakley-Brown, Liz. / Writing on Borderlines : Anglo-Welsh Relations in Thomas Churchyard's The Worthines of Wales. Writing Wales, from the Renaissance to Romanticism. Routledge, 2012. pp. 39-58

Bibtex

@inbook{0061bdad8ebe4158b4218bb9b666169d,
title = "Writing on Borderlines: Anglo-Welsh Relations in Thomas Churchyard's The Worthines of Wales",
abstract = "This chapter explores representations of community and identity in George Peele's Edward I, focusing in particular on Peele's characterization of the Welsh rebel Lluellen, his caricature of Llywelyn ap Gruffydd, last of the Welsh princes of Wales. Edward I enacts the eponymous king's conquest of Wales, but Peele's treatment of the Welsh rebels is less patriotically English than we might otherwise expect in a play written for the London stage. Edward I, Highley writes, uses past Anglo-Welsh conflict as a screen onto which misgivings, anxieties, and fantasies about the English presence in Ireland are projected and interrogated'. Edward I also benefits from the stereotypes of alterity provided by the wild west' of Wales where Lluellen is based. Both Robin and Lluellen are outlaws, located far from Peele's stage, and far enough in the past to be comfortable to a London audience.",
author = "Liz Oakley-Brown",
year = "2012",
month = may,
day = "24",
doi = "10.4324/9781315546131-4",
language = "English",
isbn = "9781409445098",
pages = "39--58",
booktitle = "Writing Wales, from the Renaissance to Romanticism",
publisher = "Routledge",

}

RIS

TY - CHAP

T1 - Writing on Borderlines

T2 - Anglo-Welsh Relations in Thomas Churchyard's The Worthines of Wales

AU - Oakley-Brown, Liz

PY - 2012/5/24

Y1 - 2012/5/24

N2 - This chapter explores representations of community and identity in George Peele's Edward I, focusing in particular on Peele's characterization of the Welsh rebel Lluellen, his caricature of Llywelyn ap Gruffydd, last of the Welsh princes of Wales. Edward I enacts the eponymous king's conquest of Wales, but Peele's treatment of the Welsh rebels is less patriotically English than we might otherwise expect in a play written for the London stage. Edward I, Highley writes, uses past Anglo-Welsh conflict as a screen onto which misgivings, anxieties, and fantasies about the English presence in Ireland are projected and interrogated'. Edward I also benefits from the stereotypes of alterity provided by the wild west' of Wales where Lluellen is based. Both Robin and Lluellen are outlaws, located far from Peele's stage, and far enough in the past to be comfortable to a London audience.

AB - This chapter explores representations of community and identity in George Peele's Edward I, focusing in particular on Peele's characterization of the Welsh rebel Lluellen, his caricature of Llywelyn ap Gruffydd, last of the Welsh princes of Wales. Edward I enacts the eponymous king's conquest of Wales, but Peele's treatment of the Welsh rebels is less patriotically English than we might otherwise expect in a play written for the London stage. Edward I, Highley writes, uses past Anglo-Welsh conflict as a screen onto which misgivings, anxieties, and fantasies about the English presence in Ireland are projected and interrogated'. Edward I also benefits from the stereotypes of alterity provided by the wild west' of Wales where Lluellen is based. Both Robin and Lluellen are outlaws, located far from Peele's stage, and far enough in the past to be comfortable to a London audience.

U2 - 10.4324/9781315546131-4

DO - 10.4324/9781315546131-4

M3 - Chapter

AN - SCOPUS:85148157342

SN - 9781409445098

SN - 9781138108516

SP - 39

EP - 58

BT - Writing Wales, from the Renaissance to Romanticism

PB - Routledge

ER -