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  1. Published

    Ravel Studies

    Mawer, D. (ed.), 11/2010, Cambridge: Cambridge University Press. 220 p.

    Research output: Book/Report/Proceedings › Book

  2. Published

    Le jazz gallicisé et ravelisé: théorie pratique du 'blues'.

    Mawer, D., 02/2012, Musique française: Esthétique et identité en mutation 1892-1992 : French Music: Aesthetics and Identity in Transition 1892-1992. Terrien, P. (ed.). Sampzon: Editions Delatour France, p. 215-225 11 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  3. Published

    Maurice Ravel.

    Mawer, D., 2011, Oxford Bibliographies Online: Music. Gustafson, B. (ed.). New York: Oxford University Press, p. 130 annotated citations

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  4. Published

    French music reconfigured in the modal jazz of Bill Evans.

    Mawer, D., 2011, Jazz Chameleon: 9th Nordic Jazz Conference Proceedings . Mäkelä, J. (ed.). Helsinki: Finnish Jazz and Pop Archive, p. 77-89 13 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  5. Published

    Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra.

    Mawer, D., 09/2009, In: Twentieth-Century Music. 6, 2, p. 155-182 28 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  6. Published

    ‘Parisomania'? Jack Hylton and the French connection.

    Mawer, D., 11/2008, In: Journal of the Royal Musical Association. 133, 2, p. 270-317 48 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  7. Published

    Jolivet’s search for a new French voice: spiritual 'otherness' in Mana (1935).

    Mawer, D., 05/2008, French Music, Culture and National Identity, 1870-1939 . Kelly, B. L. (ed.). Rochester NY: University of Rochester Press, p. 172-193 22 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  8. Published

    Positioning Milhaud’s late chamber music: compositional 'full circle'?

    Mawer, D., 12/2008, In: Musical Times. 149, 4, p. 45-60 16 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  9. Published

    Exploring complementation in Bartók’s Third Quartet.

    Mawer, D., 12/2007, In: Music Theory Online. 13, 4

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  10. Published

    Crossing borders II: Ravel’s theory and practice of jazz.

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 114-137 24 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  11. Published

    Retour au point de départ? Les dernières oeuvres de musique de chambre de Darius Milhaud et la notion de 'tardivité'.

    Mawer, D., 10/2014, Darius Milhaud: Compositeur et expérimentateur. Harbec, J. & Lavoie, M-N. (eds.). Paris: Librairie Vrin, 25 p. (Musicologies).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  12. Published

    Jolivet’s early music theory and its practice in Cinq danses rituelles (1939)

    Mawer, D., 6/11/2018, André Jolivet: music, art and literature. Rae, C. (ed.). Lund Humphries

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  13. Published

    A música francesca reconfigurado no jazz modal de Bill Evans

    Mawer, D. & Borém, F. (Translator), 2013, In: Revista Per Musi. 28, p. 7-14 8 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  14. Published

    Darius Milhaud: Modality & Structure in Music of the 1920s

    Mawer, D., 1997, Aldershot: Ashgate. 408 p.

    Research output: Book/Report/Proceedings › Book

  15. Published

    Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé.

    Mawer, D., 1/09/2012, Danse et musique: dialogues en mouvement [refereed conference proceedings]. Huebner, S. (ed.). 1-2 ed. Montreal: Cahiers de la Société québécoise de recherche en musique, Vol. 13. p. 77-85 9 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  16. Published

    Introduction: the growth of Ravel studies

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 1-8 8 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  17. Published

    Appendix: itinerary for Ravel’s tour

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 110-113 4 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  18. Published

    Introduction: the many masks of Ravel

    Mawer, D., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 1-4, 266 5 p. (Cambridge companions to music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  19. Published

    Embedding CD-tours in HE courses: experience with the Analytical Listening Guide to 'Darius Milhaud: La Création du monde'

    Mawer, D., 06/1997, In: Musicus: Computer Applications in Music Education. 5, p. 19-29 11 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  20. Published

    Structural analysis in string teaching and performance: 'Voice-leading for Strings'

    Mawer, D., 07/1994, Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician : ISME Commission on the Education of the Professional Musician. Tampa, Florida: University of Florida, p. 57-71 15 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  21. Published

    Darius Milhaud: La Création du monde (Analytical Listening Guide)

    Mawer, D. & Pengelly, M., 1996

    Research output: Exhibits, objects and web-based outputs › Digital or Visual Products

  22. Unpublished

    Beyond Le Boeuf: analysing Milhaud’s Fifth Chamber Symphony (1922)

    Mawer, D., 09/1994, (Unpublished). 10 p.

    Research output: Contribution to conference - Without ISBN/ISSN › Conference paper

  23. Published

    Composing out the principles of music analysis across the wider musical community

    Mawer, D., 04/1992, Society for Music Analysis Newsletter, 1, p. 8-12 5 p.

    Research output: Contribution to specialist publication › Article

  24. Unpublished

    (Re)moving boundaries? Debussy, Ravel and the Lydian jazz theory of George Russell

    Mawer, D., 08/2010, (Unpublished). 10 p.

    Research output: Contribution to conference - Without ISBN/ISSN › Conference paper

  25. Published

    Ravel, Daphnis et Chloé: a fantasy tale of time and place

    Mawer, D., 2006, 14 p. Hamburg : Deutsche Grammophon.

    Research output: Other contribution

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