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A common scheme for cross-sensory correspondences across stimulus domains

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A common scheme for cross-sensory correspondences across stimulus domains. / Walker, Laura; Walker, Peter; Francis, Brian.
In: Seeing and Perceiving, Vol. 25, No. Suppl. 1, 2012, p. 67-67.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Walker, L, Walker, P & Francis, B 2012, 'A common scheme for cross-sensory correspondences across stimulus domains', Seeing and Perceiving, vol. 25, no. Suppl. 1, pp. 67-67. https://doi.org/10.1163/187847612X646884

APA

Walker, L., Walker, P., & Francis, B. (2012). A common scheme for cross-sensory correspondences across stimulus domains. Seeing and Perceiving, 25(Suppl. 1), 67-67. https://doi.org/10.1163/187847612X646884

Vancouver

Walker L, Walker P, Francis B. A common scheme for cross-sensory correspondences across stimulus domains. Seeing and Perceiving. 2012;25(Suppl. 1):67-67. doi: 10.1163/187847612X646884

Author

Walker, Laura ; Walker, Peter ; Francis, Brian. / A common scheme for cross-sensory correspondences across stimulus domains. In: Seeing and Perceiving. 2012 ; Vol. 25, No. Suppl. 1. pp. 67-67.

Bibtex

@article{0a42fa668fbc4598ad9f6177af98051d,
title = "A common scheme for cross-sensory correspondences across stimulus domains",
abstract = "Following Karwoski, Odbert, and Osgood (1942), it is proposed that cross-sensory correspondences can arise from extensive, bi-directional cross-activation between dimensions of connotative meaning. If this account is correct, the same set of cross-sensory correspondences (e.g., smallness with brightness, brightness with high pitch, high pitch with sharpness) should emerge regardless of the sensory channel (visual, auditory, or tactile) that is probed. To test this prediction, participants rated a range of visual, auditory, and tactile stimuli on a series of rating scales relating to different dimensions of connotative meaning. The same set of cross-sensory correspondences emerged from all types of stimulus variation. This supports the suggestion that cross-sensory correspondences can reflect reciprocal interactions between dimensions of connotative meaning, and indicates that Spence{\textquoteright}s (2011) theoretical framework might be usefully extended to include semantically-based correspondences.",
author = "Laura Walker and Peter Walker and Brian Francis",
year = "2012",
doi = "10.1163/187847612X646884",
language = "English",
volume = "25",
pages = "67--67",
journal = "Seeing and Perceiving",
issn = "1878-4763",
publisher = "Brill",
number = "Suppl. 1",

}

RIS

TY - JOUR

T1 - A common scheme for cross-sensory correspondences across stimulus domains

AU - Walker, Laura

AU - Walker, Peter

AU - Francis, Brian

PY - 2012

Y1 - 2012

N2 - Following Karwoski, Odbert, and Osgood (1942), it is proposed that cross-sensory correspondences can arise from extensive, bi-directional cross-activation between dimensions of connotative meaning. If this account is correct, the same set of cross-sensory correspondences (e.g., smallness with brightness, brightness with high pitch, high pitch with sharpness) should emerge regardless of the sensory channel (visual, auditory, or tactile) that is probed. To test this prediction, participants rated a range of visual, auditory, and tactile stimuli on a series of rating scales relating to different dimensions of connotative meaning. The same set of cross-sensory correspondences emerged from all types of stimulus variation. This supports the suggestion that cross-sensory correspondences can reflect reciprocal interactions between dimensions of connotative meaning, and indicates that Spence’s (2011) theoretical framework might be usefully extended to include semantically-based correspondences.

AB - Following Karwoski, Odbert, and Osgood (1942), it is proposed that cross-sensory correspondences can arise from extensive, bi-directional cross-activation between dimensions of connotative meaning. If this account is correct, the same set of cross-sensory correspondences (e.g., smallness with brightness, brightness with high pitch, high pitch with sharpness) should emerge regardless of the sensory channel (visual, auditory, or tactile) that is probed. To test this prediction, participants rated a range of visual, auditory, and tactile stimuli on a series of rating scales relating to different dimensions of connotative meaning. The same set of cross-sensory correspondences emerged from all types of stimulus variation. This supports the suggestion that cross-sensory correspondences can reflect reciprocal interactions between dimensions of connotative meaning, and indicates that Spence’s (2011) theoretical framework might be usefully extended to include semantically-based correspondences.

U2 - 10.1163/187847612X646884

DO - 10.1163/187847612X646884

M3 - Journal article

VL - 25

SP - 67

EP - 67

JO - Seeing and Perceiving

JF - Seeing and Perceiving

SN - 1878-4763

IS - Suppl. 1

ER -