Home > Research > Publications & Outputs > Acting in Anaesthesia

Electronic data

  • 11003565.pdf

    Final published version, 6.15 MB, PDF document

    Available under license: CC BY-NC-ND: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License

View graph of relations

Acting in Anaesthesia: Agency, Participation and Legitimation

Research output: ThesisDoctoral Thesis

Published

Standard

Acting in Anaesthesia: Agency, Participation and Legitimation. / Goodwin, Dawn Samantha.
Lancaster: Lancaster University, 2005. 312 p.

Research output: ThesisDoctoral Thesis

Harvard

Goodwin, DS 2005, 'Acting in Anaesthesia: Agency, Participation and Legitimation', PhD, Lancaster University, Lancaster.

APA

Goodwin, D. S. (2005). Acting in Anaesthesia: Agency, Participation and Legitimation. [Doctoral Thesis, Lancaster University]. Lancaster University.

Vancouver

Goodwin DS. Acting in Anaesthesia: Agency, Participation and Legitimation. Lancaster: Lancaster University, 2005. 312 p.

Author

Bibtex

@phdthesis{263b4d14c8f94f61b68463c7d2356677,
title = "Acting in Anaesthesia: Agency, Participation and Legitimation",
abstract = "In this thesis I examine the relationship between knowledge and action in anaesthesia. I begin by exploring the potential of Evidence Based Medicine (EBM) to guide anaesthetic practice and what implementing evidence based recommendations involves. This introduces a number of 'other' considerations that affect the course of an anaesthetic. I draw on ethnographic data of anaesthetic practice to explore how these 'other' elements contribute to shaping an anaesthetic trajectory. I consider the role of the patient who, being unconscious, can easily be overlooked. I suggest that it is the union of the patient and anaesthetic machine that affords the patient a form of agency. I then focus on the anaesthetist's work in crafting an account of a clinical situation that both renders the situation intelligible and indicates an appropriate course of action. I explore how accounts are legitimated and propose it is the legitimation of the accounts, more than their construction, which provides a lead for action. I also explore the processes that regulate the participation of Operating Department Practitioners (ODPs) and anaesthetic nurses and its consequences. I argue that their involvement is stratified in line with the professional identity to which they aspire and I consider the effects this has in terms of initiating action. Finally, I examine how the tools and devices may be said to contribute to shaping anaesthetic care. I discuss how the anaesthetist develops an awareness of the form, position and configuration of both humans and devices, and how this body of 'normal appearances' serves as a resource to anticipate and identify impending difficulties. This exploration of 'acting' in anaesthesia has necessitated a reconceptualisation of agency, provoked an examination of what it means to participate, illuminated the importance of legitimation when initiating action, and I propose, it calls for the reconfiguration of professional accountability.",
keywords = "MiAaPQ, Sociology.",
author = "Goodwin, {Dawn Samantha}",
year = "2005",
language = "English",
publisher = "Lancaster University",
school = "Lancaster University",

}

RIS

TY - BOOK

T1 - Acting in Anaesthesia

T2 - Agency, Participation and Legitimation

AU - Goodwin, Dawn Samantha

PY - 2005

Y1 - 2005

N2 - In this thesis I examine the relationship between knowledge and action in anaesthesia. I begin by exploring the potential of Evidence Based Medicine (EBM) to guide anaesthetic practice and what implementing evidence based recommendations involves. This introduces a number of 'other' considerations that affect the course of an anaesthetic. I draw on ethnographic data of anaesthetic practice to explore how these 'other' elements contribute to shaping an anaesthetic trajectory. I consider the role of the patient who, being unconscious, can easily be overlooked. I suggest that it is the union of the patient and anaesthetic machine that affords the patient a form of agency. I then focus on the anaesthetist's work in crafting an account of a clinical situation that both renders the situation intelligible and indicates an appropriate course of action. I explore how accounts are legitimated and propose it is the legitimation of the accounts, more than their construction, which provides a lead for action. I also explore the processes that regulate the participation of Operating Department Practitioners (ODPs) and anaesthetic nurses and its consequences. I argue that their involvement is stratified in line with the professional identity to which they aspire and I consider the effects this has in terms of initiating action. Finally, I examine how the tools and devices may be said to contribute to shaping anaesthetic care. I discuss how the anaesthetist develops an awareness of the form, position and configuration of both humans and devices, and how this body of 'normal appearances' serves as a resource to anticipate and identify impending difficulties. This exploration of 'acting' in anaesthesia has necessitated a reconceptualisation of agency, provoked an examination of what it means to participate, illuminated the importance of legitimation when initiating action, and I propose, it calls for the reconfiguration of professional accountability.

AB - In this thesis I examine the relationship between knowledge and action in anaesthesia. I begin by exploring the potential of Evidence Based Medicine (EBM) to guide anaesthetic practice and what implementing evidence based recommendations involves. This introduces a number of 'other' considerations that affect the course of an anaesthetic. I draw on ethnographic data of anaesthetic practice to explore how these 'other' elements contribute to shaping an anaesthetic trajectory. I consider the role of the patient who, being unconscious, can easily be overlooked. I suggest that it is the union of the patient and anaesthetic machine that affords the patient a form of agency. I then focus on the anaesthetist's work in crafting an account of a clinical situation that both renders the situation intelligible and indicates an appropriate course of action. I explore how accounts are legitimated and propose it is the legitimation of the accounts, more than their construction, which provides a lead for action. I also explore the processes that regulate the participation of Operating Department Practitioners (ODPs) and anaesthetic nurses and its consequences. I argue that their involvement is stratified in line with the professional identity to which they aspire and I consider the effects this has in terms of initiating action. Finally, I examine how the tools and devices may be said to contribute to shaping anaesthetic care. I discuss how the anaesthetist develops an awareness of the form, position and configuration of both humans and devices, and how this body of 'normal appearances' serves as a resource to anticipate and identify impending difficulties. This exploration of 'acting' in anaesthesia has necessitated a reconceptualisation of agency, provoked an examination of what it means to participate, illuminated the importance of legitimation when initiating action, and I propose, it calls for the reconfiguration of professional accountability.

KW - MiAaPQ

KW - Sociology.

M3 - Doctoral Thesis

PB - Lancaster University

CY - Lancaster

ER -