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Citizen robots: biopolitics, the computer, and the Vietnam period

Research output: ThesisDoctoral Thesis

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Citizen robots: biopolitics, the computer, and the Vietnam period. / Ryder, Mike.
Lancaster University, 2020. 279 p.

Research output: ThesisDoctoral Thesis

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Ryder M. Citizen robots: biopolitics, the computer, and the Vietnam period. Lancaster University, 2020. 279 p. doi: 10.17635/lancaster/thesis/902

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Bibtex

@phdthesis{5082f29568424352b82d9423820a1506,
title = "Citizen robots: biopolitics, the computer, and the Vietnam period",
abstract = "The Vietnam War coincided with an intense period of technological change in the US that marked a significant turning point in the relationship between the citizen and the state. While computer technology found new and deadly uses on the field of battle, it also found its way into people{\textquoteright}s homes, giving the state the means through which to monitor and control subjects like never before.While Michel Foucault describes Vietnam as {\textquoteleft}the gates of our world{\textquoteright}, this thesis argues that Vietnam stands rather as the gates of our biopolitical world – a period in which Foucault{\textquoteright}s original concept of biopolitics is reborn in the computer age. To this end, this thesis examines some of the early impacts and implications of the computerized biopolitical state, and the robotized human subject. It offers an exploration of the ways in which biopolitical ideas can be used alongside science fiction texts to interrogate the cultural tendencies of the USA during the Vietnam War period, stretching from the start of the war in 1955 through to the war{\textquoteright}s end in 1975 and the shadow cast in the years that follow. In doing so, it charts how human subjects are complicit in the means of their own oppression, and the ethical implications of the blurred distinction between the human and the machine. Thus, it calls for a new cybernetic form of biopolitical insight – a techno-biopolitics – that integrates the robotic with current understandings of the human, the non-human and the animal, and how they are used as a means of discursive control. ",
keywords = "Vietnam, Biopolitics, Science Fiction, Agamben, Foucault, Deleuze, Esposito, Derrida, Drones, Vietnam War, America, Consumerism, Mass-production, Surveillance, Philip K. Dick, Robert Heinlein, Ursula Le Guin, Sam Delaney, Orson Scott Card, Ethics, Critical Theory, Robot, Computerization, Robotization, Frederik Pohl",
author = "Mike Ryder",
note = "This thesis was funded by the AHRC's North West Consortium Doctoral Training Partnership. ",
year = "2020",
month = feb,
day = "26",
doi = "10.17635/lancaster/thesis/902",
language = "English",
publisher = "Lancaster University",
school = "Lancaster University",

}

RIS

TY - BOOK

T1 - Citizen robots

T2 - biopolitics, the computer, and the Vietnam period

AU - Ryder, Mike

N1 - This thesis was funded by the AHRC's North West Consortium Doctoral Training Partnership.

PY - 2020/2/26

Y1 - 2020/2/26

N2 - The Vietnam War coincided with an intense period of technological change in the US that marked a significant turning point in the relationship between the citizen and the state. While computer technology found new and deadly uses on the field of battle, it also found its way into people’s homes, giving the state the means through which to monitor and control subjects like never before.While Michel Foucault describes Vietnam as ‘the gates of our world’, this thesis argues that Vietnam stands rather as the gates of our biopolitical world – a period in which Foucault’s original concept of biopolitics is reborn in the computer age. To this end, this thesis examines some of the early impacts and implications of the computerized biopolitical state, and the robotized human subject. It offers an exploration of the ways in which biopolitical ideas can be used alongside science fiction texts to interrogate the cultural tendencies of the USA during the Vietnam War period, stretching from the start of the war in 1955 through to the war’s end in 1975 and the shadow cast in the years that follow. In doing so, it charts how human subjects are complicit in the means of their own oppression, and the ethical implications of the blurred distinction between the human and the machine. Thus, it calls for a new cybernetic form of biopolitical insight – a techno-biopolitics – that integrates the robotic with current understandings of the human, the non-human and the animal, and how they are used as a means of discursive control.

AB - The Vietnam War coincided with an intense period of technological change in the US that marked a significant turning point in the relationship between the citizen and the state. While computer technology found new and deadly uses on the field of battle, it also found its way into people’s homes, giving the state the means through which to monitor and control subjects like never before.While Michel Foucault describes Vietnam as ‘the gates of our world’, this thesis argues that Vietnam stands rather as the gates of our biopolitical world – a period in which Foucault’s original concept of biopolitics is reborn in the computer age. To this end, this thesis examines some of the early impacts and implications of the computerized biopolitical state, and the robotized human subject. It offers an exploration of the ways in which biopolitical ideas can be used alongside science fiction texts to interrogate the cultural tendencies of the USA during the Vietnam War period, stretching from the start of the war in 1955 through to the war’s end in 1975 and the shadow cast in the years that follow. In doing so, it charts how human subjects are complicit in the means of their own oppression, and the ethical implications of the blurred distinction between the human and the machine. Thus, it calls for a new cybernetic form of biopolitical insight – a techno-biopolitics – that integrates the robotic with current understandings of the human, the non-human and the animal, and how they are used as a means of discursive control.

KW - Vietnam

KW - Biopolitics

KW - Science Fiction

KW - Agamben

KW - Foucault

KW - Deleuze

KW - Esposito

KW - Derrida

KW - Drones

KW - Vietnam War

KW - America

KW - Consumerism

KW - Mass-production

KW - Surveillance

KW - Philip K. Dick

KW - Robert Heinlein

KW - Ursula Le Guin

KW - Sam Delaney

KW - Orson Scott Card

KW - Ethics

KW - Critical Theory

KW - Robot

KW - Computerization

KW - Robotization

KW - Frederik Pohl

U2 - 10.17635/lancaster/thesis/902

DO - 10.17635/lancaster/thesis/902

M3 - Doctoral Thesis

PB - Lancaster University

ER -