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Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603. / Hyde, J.
In: History, Vol. 105, 31.12.2020, p. 751-772.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Hyde, J 2020, 'Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603', History, vol. 105, pp. 751-772. https://doi.org/10.1111/1468-229X.13084

APA

Hyde, J. (2020). Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603. History, 105, 751-772. https://doi.org/10.1111/1468-229X.13084

Vancouver

Hyde J. Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603. History. 2020 Dec 31;105:751-772. Epub 2020 Dec 28. doi: 10.1111/1468-229X.13084

Author

Hyde, J. / Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603. In: History. 2020 ; Vol. 105. pp. 751-772.

Bibtex

@article{83a4d01dc5734130b3936b03f9340687,
title = "Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603",
abstract = "This article uses contemporary ballads to show that dynastic right was of central importance to the popular view of the accessions of Mary I and Elizabeth I, as well as that of the foreign king James VI when he acceded to the English throne in 1603. It challenges our view of Tudor iconography by showing that although popular songs were not afraid to tackle the gender implications of queens regnant, the popular image of Elizabeth I was not centred on her femininity. The article compares the positive English view of Mary I's femininity with negative portrayals of Mary Queen of Scots in Scotland, while suggesting that the issue of femininity was not raised in ballads about Elizabeth I because her half-sister had already normalised the idea of a woman on the throne. ",
author = "J. Hyde",
note = "This is the peer reviewed version of the following article: HYDE, J. (2020), Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603. History, 105: 751-772. https://doi.org/10.1111/1468-229X.13084 which has been published in final form at https://onlinelibrary.wiley.com/doi/10.1111/1468-229X.13084 This article may be used for non-commercial purposes in accordance With Wiley Terms and Conditions for self-archiving. ",
year = "2020",
month = dec,
day = "31",
doi = "10.1111/1468-229X.13084",
language = "English",
volume = "105",
pages = "751--772",
journal = "History",
issn = "0018-2648",
publisher = "Wiley-Blackwell Publishing Ltd",

}

RIS

TY - JOUR

T1 - Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603

AU - Hyde, J.

N1 - This is the peer reviewed version of the following article: HYDE, J. (2020), Gender, Authority and the Image of Queenship in English and Scottish Ballads, 1553–1603. History, 105: 751-772. https://doi.org/10.1111/1468-229X.13084 which has been published in final form at https://onlinelibrary.wiley.com/doi/10.1111/1468-229X.13084 This article may be used for non-commercial purposes in accordance With Wiley Terms and Conditions for self-archiving.

PY - 2020/12/31

Y1 - 2020/12/31

N2 - This article uses contemporary ballads to show that dynastic right was of central importance to the popular view of the accessions of Mary I and Elizabeth I, as well as that of the foreign king James VI when he acceded to the English throne in 1603. It challenges our view of Tudor iconography by showing that although popular songs were not afraid to tackle the gender implications of queens regnant, the popular image of Elizabeth I was not centred on her femininity. The article compares the positive English view of Mary I's femininity with negative portrayals of Mary Queen of Scots in Scotland, while suggesting that the issue of femininity was not raised in ballads about Elizabeth I because her half-sister had already normalised the idea of a woman on the throne. 

AB - This article uses contemporary ballads to show that dynastic right was of central importance to the popular view of the accessions of Mary I and Elizabeth I, as well as that of the foreign king James VI when he acceded to the English throne in 1603. It challenges our view of Tudor iconography by showing that although popular songs were not afraid to tackle the gender implications of queens regnant, the popular image of Elizabeth I was not centred on her femininity. The article compares the positive English view of Mary I's femininity with negative portrayals of Mary Queen of Scots in Scotland, while suggesting that the issue of femininity was not raised in ballads about Elizabeth I because her half-sister had already normalised the idea of a woman on the throne. 

U2 - 10.1111/1468-229X.13084

DO - 10.1111/1468-229X.13084

M3 - Journal article

VL - 105

SP - 751

EP - 772

JO - History

JF - History

SN - 0018-2648

ER -