Home > Research > Publications & Outputs > Houellebecq and the novel as site of epistemic ...

Electronic data

  • 152 609 1 PB

    Rights statement: This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/3.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Copyright is retained by the author(s).

    Final published version, 531 KB, PDF document

    Available under license: CC BY

Links

Text available via DOI:

View graph of relations

Houellebecq and the novel as site of epistemic rebellion

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Published

Standard

Houellebecq and the novel as site of epistemic rebellion. / Grass, Delphine.
In: Opticon1826, No. 1, 2006.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

APA

Vancouver

Grass D. Houellebecq and the novel as site of epistemic rebellion. Opticon1826. 2006;(1). doi: 10.5334/opt.010609

Author

Bibtex

@article{2204ba32c7284fae998dda0862f04b01,
title = "Houellebecq and the novel as site of epistemic rebellion",
abstract = "Michel Houellebecq is a writer who cultivates an incongruous literary garden, where the necessity of describing contemporary objects as equipment for the manufacture of individuals can be said to precede his concern for literary conventions. This has been at the centre of much criticism formulated around Houellebecq{\textquoteright}s novels. One book in particular by Eric Naulleau called Au Secour, Houellebecq Revient! attacks his novels on the grounds that their success relies on his charming the reader by using recognisable elements of everyday life and incorporating them in the novels, in such a way that they could no longer be distinguished from the world of everyday life.",
keywords = "Houellebecq, epsitemology, Contemporary French literature, free-market ideology, tourism",
author = "Delphine Grass",
note = "This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/3.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Copyright is retained by the author(s).",
year = "2006",
doi = "10.5334/opt.010609",
language = "English",
journal = "Opticon1826",
publisher = "Ubiquity Press",
number = "1",

}

RIS

TY - JOUR

T1 - Houellebecq and the novel as site of epistemic rebellion

AU - Grass, Delphine

N1 - This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/3.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Copyright is retained by the author(s).

PY - 2006

Y1 - 2006

N2 - Michel Houellebecq is a writer who cultivates an incongruous literary garden, where the necessity of describing contemporary objects as equipment for the manufacture of individuals can be said to precede his concern for literary conventions. This has been at the centre of much criticism formulated around Houellebecq’s novels. One book in particular by Eric Naulleau called Au Secour, Houellebecq Revient! attacks his novels on the grounds that their success relies on his charming the reader by using recognisable elements of everyday life and incorporating them in the novels, in such a way that they could no longer be distinguished from the world of everyday life.

AB - Michel Houellebecq is a writer who cultivates an incongruous literary garden, where the necessity of describing contemporary objects as equipment for the manufacture of individuals can be said to precede his concern for literary conventions. This has been at the centre of much criticism formulated around Houellebecq’s novels. One book in particular by Eric Naulleau called Au Secour, Houellebecq Revient! attacks his novels on the grounds that their success relies on his charming the reader by using recognisable elements of everyday life and incorporating them in the novels, in such a way that they could no longer be distinguished from the world of everyday life.

KW - Houellebecq

KW - epsitemology

KW - Contemporary French literature

KW - free-market ideology

KW - tourism

U2 - 10.5334/opt.010609

DO - 10.5334/opt.010609

M3 - Journal article

JO - Opticon1826

JF - Opticon1826

IS - 1

ER -