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  • Sound Maps Matter: Expanding Cartophony

    Rights statement: This is an Accepted Manuscript of an article published by Taylor & Francis in Social and Cultural Geography on 14/12/2016, available online: http://www.tandfonline.com/10.1080/14649365.2016.1266028

    Accepted author manuscript, 250 KB, PDF document

    Available under license: CC BY-NC: Creative Commons Attribution-NonCommercial 4.0 International License

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Sound maps matter: expanding cartophony

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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Sound maps matter : expanding cartophony . / Thulin, Samuel.

In: Social and Cultural Geography, Vol. 19, No. 2, 01.2018, p. 192-210.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Thulin, S 2018, 'Sound maps matter: expanding cartophony ', Social and Cultural Geography, vol. 19, no. 2, pp. 192-210. https://doi.org/10.1080/14649365.2016.1266028

APA

Thulin, S. (2018). Sound maps matter: expanding cartophony . Social and Cultural Geography, 19(2), 192-210. https://doi.org/10.1080/14649365.2016.1266028

Vancouver

Thulin S. Sound maps matter: expanding cartophony . Social and Cultural Geography. 2018 Jan;19(2):192-210. Epub 2016 Dec 14. doi: 10.1080/14649365.2016.1266028

Author

Thulin, Samuel. / Sound maps matter : expanding cartophony . In: Social and Cultural Geography. 2018 ; Vol. 19, No. 2. pp. 192-210.

Bibtex

@article{f63e5f5a858e429dba0f814c0cac173b,
title = "Sound maps matter: expanding cartophony ",
abstract = "In this article I investigate online sound mapping practices, taking cartophony – the coming together of cartographic and sonic activities – as an important contribution to emerging ways of thinking and practicing mapping. I first develop a typology of approaches to cartophony, before moving on to reveal the normative tendencies of online combinations of sound and mapping through an analysis of three platforms: Freesound; audioBoom; and Radio Aporee. Showing how in different ways each of these platforms supports an approach to sound mapping that favours pinning high fidelity, indexical audio-recordings to a seemingly neutral base layer, I question what is glossed over through this approach, while also considering how visual and sound-based strategies for communicating about places illuminate and resonate with one another. Discussing some more experimental online sound maps, I highlight the value of such projects in their current form, and argue for the continued expansion of cartophonic practice.",
keywords = "Sound, cartography, sound map, phonography, place",
author = "Samuel Thulin",
note = "This is an Accepted Manuscript of an article published by Taylor & Francis in Social and Cultural Geography on 14/12/2016, available online: http://www.tandfonline.com/10.1080/14649365.2016.1266028",
year = "2018",
month = jan,
doi = "10.1080/14649365.2016.1266028",
language = "English",
volume = "19",
pages = "192--210",
journal = "Social and Cultural Geography",
issn = "1464-9365",
publisher = "Routledge",
number = "2",

}

RIS

TY - JOUR

T1 - Sound maps matter

T2 - expanding cartophony

AU - Thulin, Samuel

N1 - This is an Accepted Manuscript of an article published by Taylor & Francis in Social and Cultural Geography on 14/12/2016, available online: http://www.tandfonline.com/10.1080/14649365.2016.1266028

PY - 2018/1

Y1 - 2018/1

N2 - In this article I investigate online sound mapping practices, taking cartophony – the coming together of cartographic and sonic activities – as an important contribution to emerging ways of thinking and practicing mapping. I first develop a typology of approaches to cartophony, before moving on to reveal the normative tendencies of online combinations of sound and mapping through an analysis of three platforms: Freesound; audioBoom; and Radio Aporee. Showing how in different ways each of these platforms supports an approach to sound mapping that favours pinning high fidelity, indexical audio-recordings to a seemingly neutral base layer, I question what is glossed over through this approach, while also considering how visual and sound-based strategies for communicating about places illuminate and resonate with one another. Discussing some more experimental online sound maps, I highlight the value of such projects in their current form, and argue for the continued expansion of cartophonic practice.

AB - In this article I investigate online sound mapping practices, taking cartophony – the coming together of cartographic and sonic activities – as an important contribution to emerging ways of thinking and practicing mapping. I first develop a typology of approaches to cartophony, before moving on to reveal the normative tendencies of online combinations of sound and mapping through an analysis of three platforms: Freesound; audioBoom; and Radio Aporee. Showing how in different ways each of these platforms supports an approach to sound mapping that favours pinning high fidelity, indexical audio-recordings to a seemingly neutral base layer, I question what is glossed over through this approach, while also considering how visual and sound-based strategies for communicating about places illuminate and resonate with one another. Discussing some more experimental online sound maps, I highlight the value of such projects in their current form, and argue for the continued expansion of cartophonic practice.

KW - Sound

KW - cartography

KW - sound map

KW - phonography

KW - place

U2 - 10.1080/14649365.2016.1266028

DO - 10.1080/14649365.2016.1266028

M3 - Journal article

VL - 19

SP - 192

EP - 210

JO - Social and Cultural Geography

JF - Social and Cultural Geography

SN - 1464-9365

IS - 2

ER -