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The normativity of 3D: cinematic journeys, 'imperial visuality', and unchained cameras

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The normativity of 3D: cinematic journeys, 'imperial visuality', and unchained cameras. / Bennett, Bruce.
In: Jump Cut: A Review of Contemporary Media, Vol. 55, n/a, 22.11.2013.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Bennett B. The normativity of 3D: cinematic journeys, 'imperial visuality', and unchained cameras. Jump Cut: A Review of Contemporary Media. 2013 Nov 22;55:n/a.

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Bibtex

@article{47e10aee2ba6423081cad7ff4eb53430,
title = "The normativity of 3D: cinematic journeys, 'imperial visuality', and unchained cameras",
keywords = "3D cinema, Werner Herzog, Hollywood cinema, James Cameron, cinema and technology, 3D media, ideology, Ethnography, film theory, film history, stereoscopic cinema, digital cinema, Spielberg",
author = "Bruce Bennett",
year = "2013",
month = nov,
day = "22",
language = "English",
volume = "55",
journal = "Jump Cut: A Review of Contemporary Media",

}

RIS

TY - JOUR

T1 - The normativity of 3D

T2 - cinematic journeys, 'imperial visuality', and unchained cameras

AU - Bennett, Bruce

PY - 2013/11/22

Y1 - 2013/11/22

KW - 3D cinema

KW - Werner Herzog

KW - Hollywood cinema

KW - James Cameron

KW - cinema and technology

KW - 3D media

KW - ideology

KW - Ethnography

KW - film theory

KW - film history

KW - stereoscopic cinema

KW - digital cinema

KW - Spielberg

M3 - Journal article

VL - 55

JO - Jump Cut: A Review of Contemporary Media

JF - Jump Cut: A Review of Contemporary Media

M1 - n/a

ER -