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The second life of Kowloon Walled City: Crime, media and cultural memory

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The second life of Kowloon Walled City: Crime, media and cultural memory. / Fraser, Alistair; Li, Cheuk Yin.
In: Crime, Media, Culture: An International Journal, Vol. 13, No. 2, 13.06.2017, p. 217-234.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Fraser, A & Li, CY 2017, 'The second life of Kowloon Walled City: Crime, media and cultural memory', Crime, Media, Culture: An International Journal, vol. 13, no. 2, pp. 217-234. https://doi.org/10.1177/1741659017703681

APA

Fraser, A., & Li, C. Y. (2017). The second life of Kowloon Walled City: Crime, media and cultural memory. Crime, Media, Culture: An International Journal, 13(2), 217-234. https://doi.org/10.1177/1741659017703681

Vancouver

Fraser A, Li CY. The second life of Kowloon Walled City: Crime, media and cultural memory. Crime, Media, Culture: An International Journal. 2017 Jun 13;13(2):217-234. Epub 2017 Apr 17. doi: 10.1177/1741659017703681

Author

Fraser, Alistair ; Li, Cheuk Yin. / The second life of Kowloon Walled City : Crime, media and cultural memory. In: Crime, Media, Culture: An International Journal. 2017 ; Vol. 13, No. 2. pp. 217-234.

Bibtex

@article{83f41bbac9cd46ea851f0425146d660d,
title = "The second life of Kowloon Walled City: Crime, media and cultural memory",
abstract = "Kowloon Walled City (hereafter KWC or Walled City), Hong Kong has been described as {\textquoteleft}one of history{\textquoteright}s great anomalies{\textquoteright}. The territory remained under Chinese rule throughout the period of British colonialism, with neither jurisdiction wishing to take active responsibility for its administration. In the postwar period, the area became notorious for vice, drugs and unsanitary living conditions, yet also attracted the attention of artists, photographers and writers, who viewed it as an instance of anarchic urbanism. Despite its demolition in 1993, KWC has continued to capture the imaginations of successive generations across Asia. Drawing on data from an oral and visual history project on the enclave, alongside images, interviews and observations regarding the {\textquoteleft}second life{\textquoteright} of KWC, this article will trace the unique flow of meanings and reimaginings that KWC has inspired. The article will locate the peculiar collisions of crime and consumerism prompted by KWC within the broader contexts in which they are embedded, seeking out a new interdisciplinary perspective that attends to the internecine spaces of crime, media and culture in contemporary Asian societies.",
keywords = "Asia studies, cultural criminology, digital memory, postcolonial criminology, subcultures",
author = "Alistair Fraser and Li, {Cheuk Yin}",
year = "2017",
month = jun,
day = "13",
doi = "10.1177/1741659017703681",
language = "English",
volume = "13",
pages = "217--234",
journal = "Crime, Media, Culture: An International Journal",
issn = "1741-6590",
publisher = "SAGE Publications Ltd",
number = "2",

}

RIS

TY - JOUR

T1 - The second life of Kowloon Walled City

T2 - Crime, media and cultural memory

AU - Fraser, Alistair

AU - Li, Cheuk Yin

PY - 2017/6/13

Y1 - 2017/6/13

N2 - Kowloon Walled City (hereafter KWC or Walled City), Hong Kong has been described as ‘one of history’s great anomalies’. The territory remained under Chinese rule throughout the period of British colonialism, with neither jurisdiction wishing to take active responsibility for its administration. In the postwar period, the area became notorious for vice, drugs and unsanitary living conditions, yet also attracted the attention of artists, photographers and writers, who viewed it as an instance of anarchic urbanism. Despite its demolition in 1993, KWC has continued to capture the imaginations of successive generations across Asia. Drawing on data from an oral and visual history project on the enclave, alongside images, interviews and observations regarding the ‘second life’ of KWC, this article will trace the unique flow of meanings and reimaginings that KWC has inspired. The article will locate the peculiar collisions of crime and consumerism prompted by KWC within the broader contexts in which they are embedded, seeking out a new interdisciplinary perspective that attends to the internecine spaces of crime, media and culture in contemporary Asian societies.

AB - Kowloon Walled City (hereafter KWC or Walled City), Hong Kong has been described as ‘one of history’s great anomalies’. The territory remained under Chinese rule throughout the period of British colonialism, with neither jurisdiction wishing to take active responsibility for its administration. In the postwar period, the area became notorious for vice, drugs and unsanitary living conditions, yet also attracted the attention of artists, photographers and writers, who viewed it as an instance of anarchic urbanism. Despite its demolition in 1993, KWC has continued to capture the imaginations of successive generations across Asia. Drawing on data from an oral and visual history project on the enclave, alongside images, interviews and observations regarding the ‘second life’ of KWC, this article will trace the unique flow of meanings and reimaginings that KWC has inspired. The article will locate the peculiar collisions of crime and consumerism prompted by KWC within the broader contexts in which they are embedded, seeking out a new interdisciplinary perspective that attends to the internecine spaces of crime, media and culture in contemporary Asian societies.

KW - Asia studies

KW - cultural criminology

KW - digital memory

KW - postcolonial criminology

KW - subcultures

U2 - 10.1177/1741659017703681

DO - 10.1177/1741659017703681

M3 - Journal article

VL - 13

SP - 217

EP - 234

JO - Crime, Media, Culture: An International Journal

JF - Crime, Media, Culture: An International Journal

SN - 1741-6590

IS - 2

ER -