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Young people's topography of musical functions: personal, social and cultural experiences with music across genders and six societies

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Young people's topography of musical functions: personal, social and cultural experiences with music across genders and six societies. / Boer, Diana; Fischer, Ronald; Tekman, Hasan Gürkan et al.
In: International Journal of Psychology, Vol. 47, No. 5, 2012, p. 355-369.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Boer, D, Fischer, R, Tekman, HG, Abubakar, A, Njenga, J & Zenger, M 2012, 'Young people's topography of musical functions: personal, social and cultural experiences with music across genders and six societies', International Journal of Psychology, vol. 47, no. 5, pp. 355-369. https://doi.org/10.1080/00207594.2012.656128

APA

Vancouver

Boer D, Fischer R, Tekman HG, Abubakar A, Njenga J, Zenger M. Young people's topography of musical functions: personal, social and cultural experiences with music across genders and six societies. International Journal of Psychology. 2012;47(5):355-369. doi: 10.1080/00207594.2012.656128

Author

Boer, Diana ; Fischer, Ronald ; Tekman, Hasan Gürkan et al. / Young people's topography of musical functions : personal, social and cultural experiences with music across genders and six societies. In: International Journal of Psychology. 2012 ; Vol. 47, No. 5. pp. 355-369.

Bibtex

@article{a850678debcd4d47994aaf63b8a1ba6b,
title = "Young people's topography of musical functions: personal, social and cultural experiences with music across genders and six societies",
abstract = "How can we understand the uses of music in daily life? Music is a universal phenomenon but with significant interindividual and cultural variability. Listeners' gender and cultural background may influence how and why music is used in daily life. This paper reports the first investigation of a holistic framework and a new measure of music functions (RESPECT-music) across genders and six diverse cultural samples (students from Germany, Kenya, Mexico, New Zealand, Philippines, and Turkey). Two dimensions underlie the mental representation of music functions. First, music can be used for contemplation or affective functions. Second, music can serve intrapersonal, social, and sociocultural functions. Results reveal that gender differences occur for affective functions, indicating that female listeners use music more for affective functions, i.e., emotional expression, dancing, and cultural identity. Country differences are moderate for social functions (values, social bonding, dancing) and strongest for sociocultural function (cultural identity, family bonding, political attitudes). Cultural values, such as individualism-collectivism and secularism-traditionalism, can help explain cross-cultural differences in the uses of music. Listeners from more collectivistic cultures use music more frequently for expressing values and cultural identity. Listeners from more secular and individualistic cultures like to dance more. Listeners from more traditional cultures use music more for expressing values and cultural identity, and they bond more frequently with their families over music. The two dimensions of musical functions seem systematically underpinned by listeners' gender and cultural background. We discuss the uses of music as behavioral expressions of affective and contemplative as well as personal, social, and sociocultural aspects in terms of affect proneness and cultural values.",
keywords = "Adolescent, Adult, Auditory Perception, Cross-Cultural Comparison, Cultural Characteristics, Dancing, Emotions, Family, Female, Germany, Humans, Individuality, Kenya, Male, Meditation, Mexico, Music, New Zealand, Object Attachment, Philippines, Sex Factors, Social Perception, Social Support, Social Values, Turkey",
author = "Diana Boer and Ronald Fischer and Tekman, {Hasan G{\"u}rkan} and Amina Abubakar and Jane Njenga and Markus Zenger",
year = "2012",
doi = "10.1080/00207594.2012.656128",
language = "English",
volume = "47",
pages = "355--369",
journal = "International Journal of Psychology",
issn = "0020-7594",
publisher = "Psychology Press",
number = "5",

}

RIS

TY - JOUR

T1 - Young people's topography of musical functions

T2 - personal, social and cultural experiences with music across genders and six societies

AU - Boer, Diana

AU - Fischer, Ronald

AU - Tekman, Hasan Gürkan

AU - Abubakar, Amina

AU - Njenga, Jane

AU - Zenger, Markus

PY - 2012

Y1 - 2012

N2 - How can we understand the uses of music in daily life? Music is a universal phenomenon but with significant interindividual and cultural variability. Listeners' gender and cultural background may influence how and why music is used in daily life. This paper reports the first investigation of a holistic framework and a new measure of music functions (RESPECT-music) across genders and six diverse cultural samples (students from Germany, Kenya, Mexico, New Zealand, Philippines, and Turkey). Two dimensions underlie the mental representation of music functions. First, music can be used for contemplation or affective functions. Second, music can serve intrapersonal, social, and sociocultural functions. Results reveal that gender differences occur for affective functions, indicating that female listeners use music more for affective functions, i.e., emotional expression, dancing, and cultural identity. Country differences are moderate for social functions (values, social bonding, dancing) and strongest for sociocultural function (cultural identity, family bonding, political attitudes). Cultural values, such as individualism-collectivism and secularism-traditionalism, can help explain cross-cultural differences in the uses of music. Listeners from more collectivistic cultures use music more frequently for expressing values and cultural identity. Listeners from more secular and individualistic cultures like to dance more. Listeners from more traditional cultures use music more for expressing values and cultural identity, and they bond more frequently with their families over music. The two dimensions of musical functions seem systematically underpinned by listeners' gender and cultural background. We discuss the uses of music as behavioral expressions of affective and contemplative as well as personal, social, and sociocultural aspects in terms of affect proneness and cultural values.

AB - How can we understand the uses of music in daily life? Music is a universal phenomenon but with significant interindividual and cultural variability. Listeners' gender and cultural background may influence how and why music is used in daily life. This paper reports the first investigation of a holistic framework and a new measure of music functions (RESPECT-music) across genders and six diverse cultural samples (students from Germany, Kenya, Mexico, New Zealand, Philippines, and Turkey). Two dimensions underlie the mental representation of music functions. First, music can be used for contemplation or affective functions. Second, music can serve intrapersonal, social, and sociocultural functions. Results reveal that gender differences occur for affective functions, indicating that female listeners use music more for affective functions, i.e., emotional expression, dancing, and cultural identity. Country differences are moderate for social functions (values, social bonding, dancing) and strongest for sociocultural function (cultural identity, family bonding, political attitudes). Cultural values, such as individualism-collectivism and secularism-traditionalism, can help explain cross-cultural differences in the uses of music. Listeners from more collectivistic cultures use music more frequently for expressing values and cultural identity. Listeners from more secular and individualistic cultures like to dance more. Listeners from more traditional cultures use music more for expressing values and cultural identity, and they bond more frequently with their families over music. The two dimensions of musical functions seem systematically underpinned by listeners' gender and cultural background. We discuss the uses of music as behavioral expressions of affective and contemplative as well as personal, social, and sociocultural aspects in terms of affect proneness and cultural values.

KW - Adolescent

KW - Adult

KW - Auditory Perception

KW - Cross-Cultural Comparison

KW - Cultural Characteristics

KW - Dancing

KW - Emotions

KW - Family

KW - Female

KW - Germany

KW - Humans

KW - Individuality

KW - Kenya

KW - Male

KW - Meditation

KW - Mexico

KW - Music

KW - New Zealand

KW - Object Attachment

KW - Philippines

KW - Sex Factors

KW - Social Perception

KW - Social Support

KW - Social Values

KW - Turkey

U2 - 10.1080/00207594.2012.656128

DO - 10.1080/00207594.2012.656128

M3 - Journal article

C2 - 22506759

VL - 47

SP - 355

EP - 369

JO - International Journal of Psychology

JF - International Journal of Psychology

SN - 0020-7594

IS - 5

ER -