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  1. Published

    Jolivet’s early music theory and its practice in Cinq danses rituelles (1939)

    Mawer, D., 6/11/2018, André Jolivet: music, art and literature. Rae, C. (ed.). Lund Humphries

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  2. Published

    Retour au point de départ? Les dernières oeuvres de musique de chambre de Darius Milhaud et la notion de 'tardivité'.

    Mawer, D., 10/2014, Darius Milhaud: Compositeur et expérimentateur. Harbec, J. & Lavoie, M-N. (eds.). Paris: Librairie Vrin, 25 p. (Musicologies).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  3. Published

    The Lyre of Orpheus: popular music, the sacred, and the profane

    Partridge, C., 18/11/2013, Oxford: Oxford University Press. 368 p.

    Research output: Book/Report/ProceedingsBook

  4. Published

    Tutuguri

    Otondo, F., 15/03/2013

    Research output: Exhibits, objects and web-based outputsComposition

  5. Published

    Symphonic music in our modern times: Tippett and the Symphony

    Venn, E., 01/2013, The Cambridge Companion to Michael Tippett . Gloag, K. & Jones, N. (eds.). Cambridge: Cambridge University Press, (Cambridge Companions to Music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  6. Published

    Identity dimensions and age as predictors of adult music preferences

    Leadbeater, R. & Marsden, A., 2013, Developing the musician: contemporary perspectives on teaching and learning. Stakelum, M. (ed.). Farnham: Ashgate, p. 7-28 22 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  7. Published

    Book Review: Philippe Cathé, Sylvie Douche et Michel Duchesneau (eds.), Charles Koechlin: compositeur et humaniste

    Mawer, D., 12/2012, In: Music and Letters. 93, 4, p. 615-617 3 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  8. Published

    Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé.

    Mawer, D., 1/09/2012, Danse et musique: dialogues en mouvement [refereed conference proceedings]. Huebner, S. (ed.). 1-2 ed. Montreal: Cahiers de la Société québécoise de recherche en musique, Vol. 13. p. 77-85 9 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  9. Published

    Melodic Similarity: A Re-examination of the MIREX2005 Data

    Marsden, A., 23/07/2012, p. 653-659. 7 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paper

  10. Published

    Teocalli

    Otondo, F., 1/07/2012

    Research output: Exhibits, objects and web-based outputsComposition

  11. Published

    Le jazz gallicisé et ravelisé: théorie pratique du 'blues'.

    Mawer, D., 02/2012, Musique française: Esthétique et identité en mutation 1892-1992 : French Music: Aesthetics and Identity in Transition 1892-1992. Terrien, P. (ed.). Sampzon: Editions Delatour France, p. 215-225 11 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  12. Published

    Discrete Transfer for piano and computer, 11'

    Rai, T., 2012

    Research output: Exhibits, objects and web-based outputsComposition

  13. Published

    Interrogating melodic similarity: a definitive phenomenon or the product of interpretation?

    Marsden, A., 2012, In: Journal of New Music Research. 41, 4, p. 323-335 13 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  14. Published

    Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposals

    Marsden, A., 2012, In: Journal of Mathematics and Music. 6, 2, p. 145-153, 103-106, 125-128, 161-167

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  15. Published

    The Sonification of Morecambe Bay

    Boynton, N., 2012

    Research output: Exhibits, objects and web-based outputsDigital or Visual Products

  16. Published

    Review of "Composing in Words: William Alwyn on his Art" ed. by Andrew Palmer

    Venn, E., 08/2011, In: Music and Letters. 92, 3, p. 506-508 3 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  17. Published

    Software for Schenkerian Analysis

    Marsden, A., 07/2011. 0 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paperpeer-review

  18. Published

    The Plurality of Melodic Similarity

    Marsden, A., 07/2011, p. 5-10. 6 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paperpeer-review

  19. Published

    Book review: Barbara Lebrun, Protest Music in France

    Mawer, D., 03/2011, In: French History. 25, 1, p. 130-132 3 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  20. Published

    Book review: Sylvia Kahan, In Search of New Scales

    Mawer, D., 01/2011, In: Journal of Music Theory. 55, 1, p. 147-153 7 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  21. Published

    Fragments of the score 'Sparkle for bass cl. and tape' quoted in the book ‘the bass clarinet’ by Harry Sparnaay

    Rai, T., 2011, 2 p. Periferia Sheet Music, Spain.

    Research output: Other contribution

  22. Published

    French music reconfigured in the modal jazz of Bill Evans.

    Mawer, D., 2011, Jazz Chameleon: 9th Nordic Jazz Conference Proceedings . Mäkelä, J. (ed.). Helsinki: Finnish Jazz and Pop Archive, p. 77-89 13 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  23. Published

    Maurice Ravel.

    Mawer, D., 2011, Oxford Bibliographies Online: Music. Gustafson, B. (ed.). New York: Oxford University Press, p. 130 annotated citations

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  24. Published

    Review of "Harrison Birtwistle: The Mask of Orpheus" by Jonathan Cross

    Venn, E., 2011, In: Music and Letters. 92, 2, p. 332-334 3 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  25. Published

    Appendix: itinerary for Ravel’s tour

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 110-113 4 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  26. Published

    Crossing Borders I: the historical context for Ravel’s North American tour

    Gebhardt, N., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: University of Cambridge, p. 92-113 22 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  27. Published

    Crossing borders II: Ravel’s theory and practice of jazz.

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 114-137 24 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  28. Published

    Encountering La Valse: perspectives and pitfalls.

    Epstein, D. & Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 138-164 27 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  29. Published

    Introduction: the growth of Ravel studies

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 1-8 8 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  30. Published

    Ravel Studies

    Mawer, D. (ed.), 11/2010, Cambridge: Cambridge University Press. 220 p.

    Research output: Book/Report/ProceedingsBook

  31. Published

    Dub in Babylon: understanding the evolution and significance of dub reggae in Jamaica and Britain from King Tubby to post-punk

    Partridge, C., 10/2010, London: Equinox Publishing. 256 p.

    Research output: Book/Report/ProceedingsBook

  32. Unpublished

    (Re)moving boundaries? Debussy, Ravel and the Lydian jazz theory of George Russell

    Mawer, D., 08/2010, (Unpublished). 10 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paper

  33. Published

    Book review: Millicent Hodson, Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux

    Mawer, D., 02/2010, In: Music and Letters. 91, 1, p. 123-126 4 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  34. Published
  35. Published

    Narrativity in Thomas Adès’s Asyla.

    Venn, E., 2010, In: Res facta nova: Teksty o muzyce współczesnej. 11, 20, p. 61-70 10 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  36. Published

    On Jazz, memory and history: A response to Alyn Shipton

    Gebhardt, N., 2010, In: Jazz Research Journal. 4, 1, p. 7-14 8 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  37. Published

    A Very British Modernism? A review of Hugh Wood, Staking out the Territory and Other Writings on Music

    Venn, E., 09/2009, In: Twentieth-Century Music. 6, 2, p. 237-253 17 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  38. Published

    Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra.

    Mawer, D., 09/2009, In: Twentieth-Century Music. 6, 2, p. 155-182 28 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  39. Published
  40. Published

    Active Figuration for violin and computer, 13'

    Rai, T., 2009

    Research output: Exhibits, objects and web-based outputsComposition

  41. Published

    Horizontal stillness for electroacoustic, 11'

    Rai, T., 2009

    Research output: Exhibits, objects and web-based outputsComposition

  42. Published

    Some remarks on Webern's Variations Op. 27

    Boynton, N., 2009, Webern_21. Schweiger, D. & Urbanek, N. (eds.). Vienna: Böhlau Verlag, p. 199-219 21 p. (Wiener Veröffentlichungen zur Musikgeschichte; vol. 8).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  43. Published

    'What was the question?': music analysis and the computer.

    Marsden, A., 2009, Modern Methods for Musicology. Crawford, T. & Gibson, L. (eds.). Farnham: Ashgate, p. 137-147 11 p. (Digital Research in the Arts and Humanities).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  44. Published

    Positioning Milhaud’s late chamber music: compositional 'full circle'?

    Mawer, D., 12/2008, In: Musical Times. 149, 4, p. 45-60 16 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  45. Published

    ‘Parisomania'? Jack Hylton and the French connection.

    Mawer, D., 11/2008, In: Journal of the Royal Musical Association. 133, 2, p. 270-317 48 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  46. Published

    Jolivet’s search for a new French voice: spiritual 'otherness' in Mana (1935).

    Mawer, D., 05/2008, French Music, Culture and National Identity, 1870-1939 . Kelly, B. L. (ed.). Rochester NY: University of Rochester Press, p. 172-193 22 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  47. Published

    Exploring complementation in Bartók’s Third Quartet.

    Mawer, D., 12/2007, In: Music Theory Online. 13, 4

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  48. Published

    Tools for Searching, Annotation and Analysis of Speech, Music, Film and Video: A Survey.

    Marsden, A. A., Lindsay, A., MacKenzie, A. & Nock, H., 30/11/2007, In: Literary and Linguistic Computing. 22, 4, p. 469-488 20 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  49. Published

    Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis.

    Marsden, A. A., 23/09/2007, p. 55-58. 4 p.

    Research output: Contribution to conference - Without ISBN/ISSN Other

  50. Published

    Book review: Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France 1914-1940

    Mawer, D., 05/2007, In: Music and Letters. 88, 2, p. 367-370 4 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  51. Published

    Ricard Viñes i Maurice Ravel: una amistat inspiradora.

    Mawer, D., 05/2007, Ricard Viñes: el pianista de les avantguardes . Bernadó, M. (ed.). Barcelona & Lleida: Fundació Caixa Catalunya/Museu d’Art Jaume Morera, p. 132-137, 318-321, 427-430 13 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  52. Published

    Lucent Aquarelle for harp and computer [12 minutes]

    Rai, T., 2007

    Research output: Exhibits, objects and web-based outputsComposition

  53. Published

    Time flows… for bass-fl./fl., perc., guitar, and computer, 13'

    Rai, T., 2007

    Research output: Exhibits, objects and web-based outputsComposition

  54. Published

    Balanchine's La Valse: meanings and implications for Ravel studies.

    Mawer, D. H., 1/12/2006, In: The Opera Quarterly. 22, 1, p. 90-116 27 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  55. Published

    'Dancing on the edge of the volcano': French music in the 1930s

    Mawer, D. H., 2006, French Music since Berlioz. Smith, R. L. & Potter, C. (eds.). Ashgate, p. 249-280 32 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  56. Published

    Ravel, Daphnis et Chloé: a fantasy tale of time and place

    Mawer, D., 2006, 14 p. Hamburg : Deutsche Grammophon.

    Research output: Other contribution

  57. Published

    The Ballets of Maurice Ravel: Creation and Interpretation

    Mawer, D. H., 2006, Ashgate. 314 p.

    Research output: Book/Report/ProceedingsBook

  58. Published

    Generative Structural Representation of Tonal Music.

    Marsden, A. A., 27/06/2005, In: Journal of New Music Research. 34, 4, p. 409-428 20 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  59. Published

    "And two times two equals four in every climate": Die Formenlehre der Wiener Schule als internationales Projekt

    Boynton, N. A., 01/2005, Musiktheoretisches Denken und kultureller Kontext. Schmidt, D. (ed.). Schliengen: Edition Argus, p. 203-229 27 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  60. Published

    Towards Schenkerian analysis by computer : a reductional matrix.

    Marsden, A., 2005, Proceedings of international computer music conference (ICMC), Barcelona 2005. p. 247-250 4 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  61. Published

    Book review: Barbara L. Kelly, Tradition and Style in the Works of Darius Milhaud 1912–1939

    Mawer, D., 11/2004, In: Music and Letters. 85, 4, p. 660-662 3 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  62. Published

    Book review: Keith Waters, Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger

    Mawer, D., 02/2004, In: Music and Letters. 85, 1, p. 123-126 4 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  63. Published

    Book review: Roger Nichols, The Harlequin Years: Music in Paris 1917-1929

    Mawer, D., 02/2004, In: Music and Letters. 85, 1, p. 120-123 4 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  64. Published

    DVD Program Notes: Part One, Takayuki Rai, Curator

    Rai, T., 2004, In: Computer Music Journal. 28, 4, p. 116-126 11 p.

    Research output: Contribution to Journal/MagazineJournal article

  65. Published

    Labyrinth for tape [10 minutes]

    Rai, T., 2004

    Research output: Exhibits, objects and web-based outputsComposition

  66. Published

    Facade for guitar and computer [11 minutes]

    Rai, T., 2003

    Research output: Exhibits, objects and web-based outputsComposition

  67. Published

    Review of Sabine Meine, Ein Zwölftöner in Paris. Studien zu Biographie und Wirkung von René Leibowitz (1913–1972), Publikationen der Hochschule für Musik und Theater Hannover, Bd. 10, Wißner, Augsburg 2000

    Boynton, N., 11/2002, In: Music and Letters. 83, 4, p. 655-656 2 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  68. Published
  69. Published

    Anton Webern, Variationen op. 27: Gegenüberstellung der Handexemplare von Else Cross und Peter Stadlen

    Boynton, N., 2002, Die Lehre von der musikalischen Aufführung in der Wiener Schule: Verhandlungen des Internationalen Colloquiums Wien 1995. Grassl, M. & Kapp, R. (eds.). Vienna: Böhlau Verlag, p. 101-111 11 p. (Wiener Veröffentlichungen zur Musikgeschichte; vol. 3).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  70. Published

    A very French affair: 'Les Six' and the flute

    Mawer, D., 2001, 16 p. London : Hyperion.

    Research output: Other contribution

  71. Published

    Going For Jazz: Musical Practices and American Ideology

    Gebhardt, N., 2001, Chicago, Ill. : University of Chicago Press. 216 p.

    Research output: Book/Report/ProceedingsBook

  72. Published

    Appendix: early reception of Ravel’s music (1899–1939)

    Nichols, R. & Mawer, D., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 251-266, 281-282 18 p. (Cambridge companions to music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  73. Published

    Introduction: the many masks of Ravel

    Mawer, D., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 1-4, 266 5 p. (Cambridge companions to music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  74. Published

    Kompositionsverfahren 1923-1926: Das Kammerkonzert und die Lyrische Suite

    Boynton, N., 2000, Alban Berg und seine Zeit. Pople, A. (ed.). Laaber: Laaber-Verlag, p. 241-260 20 p. (Grosse Komponisten und ihre Zeit).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  75. Published

    Mirage for 17-stringed koto and computer [8 minutes]

    Rai, T., 2000

    Research output: Exhibits, objects and web-based outputsComposition

  76. Published

    Music, intelligence and artificiality.

    Marsden, A. A., 2000, Readings in music and artificial intelligence. Miranda, E. R. (ed.). Amsterdam: Harwood Academic, p. 15-28 14 p. (Contemporary music studies ; v. 20).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  77. Published

    Musical objects and machines.

    Mawer, D., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 47-67 21 p. (Cambridge companions to music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  78. Published

    The Cambridge Companion to Ravel

    Mawer, D., 2000, Cambridge: Cambridge University Press. 294 p. (Cambridge companions to music)

    Research output: Book/Report/ProceedingsBook

  79. Published

    Transfiguration for clarinet and computer (rev. 2003) [10 minutes]

    Rai, T., 1999

    Research output: Exhibits, objects and web-based outputsComposition

  80. Published

    Combinazione di forme musicali nelle Variazioni Op. 30 di Webern

    Boynton, N., 1998, Anton Webern: Un punto, un cosmo. Casadei Turroni Monti, M. (ed.). Lucca: Una cosa rara, p. 113-141 29 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  81. Published

    René Leibowitz: Schoenberg et son école

    Boynton, N., 1998, Settling New Scores: Music manuscripts from the Paul Sacher Foundation. Meyer, F. (ed.). Mainz: Schott, p. 232-234 3 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  82. Published

    Embedding CD-tours in HE courses: experience with the Analytical Listening Guide to 'Darius Milhaud: La Création du monde'

    Mawer, D., 06/1997, In: Musicus: Computer Applications in Music Education. 5, p. 19-29 11 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  83. Published

    Book review: Howard Boatwright, Chromaticism: Theory and Practice

    Mawer, D., 03/1997, In: Music Analysis. 16, 1, p. 137-144 8 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  84. Published

    Compositional Technique 1923–1926: The Chamber Concerto and the Lyric Suite

    Boynton, N., 1997, The Cambridge Companion to Berg. Pople, A. (ed.). Cambridge: Cambridge University Press, p. 189–203, 286–292 22 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  85. Published

    Darius Milhaud: Modality & Structure in Music of the 1920s

    Mawer, D., 1997, Aldershot: Ashgate. 408 p.

    Research output: Book/Report/ProceedingsBook

  86. Published

    Impulse for percussion and computer (rev. 2004) [20 minutes]

    Rai, T., 1997

    Research output: Exhibits, objects and web-based outputsComposition

  87. Published
  88. Published

    Bibliography

    Boynton, N., 1996, Webern Studies. Bailey, K. (ed.). Cambridge: Cambridge University Press, p. 298-362 65 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  89. Published

    Darius Milhaud: La Création du monde (Analytical Listening Guide)

    Mawer, D. & Pengelly, M., 1996

    Research output: Exhibits, objects and web-based outputsDigital or Visual Products

  90. Published

    Review of Walter Frisch, The Early Works of Arnold Schoenberg 1893–1908, Berkeley and Los Angeles: University of California Press 1993

    Boynton, N., 1996, In: Music Analysis. 15, 2-3, p. 373-381 9 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  91. Published

    Formal Combination in Webern's Variations Op. 30

    Boynton, N., 1995, In: Music Analysis. 14, 2-3, p. 193-220 28 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  92. Published

    Seven Refractions for flute and a signal processing computer (rev. 2003) [14 minutes]

    Rai, T., 1995

    Research output: Exhibits, objects and web-based outputsComposition

  93. Published

    Translation of Rudolf Kolisch, ‘Schönberg als nachschaffender Künstler’

    Boynton, N., 1995, In: Tempo. 193, p. 34-35 2 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  94. Unpublished

    Beyond Le Boeuf: analysing Milhaud’s Fifth Chamber Symphony (1922)

    Mawer, D., 09/1994, (Unpublished). 10 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paper

  95. Published

    Structural analysis in string teaching and performance: 'Voice-leading for Strings'

    Mawer, D., 07/1994, Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician : ISME Commission on the Education of the Professional Musician. Tampa, Florida: University of Florida, p. 57-71 15 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  96. Published

    Kinetic figuration for MIDI piano, VP-1 synthesizer and IRCAM signal processing workstations (rev. 2000) [16 minutes]

    Rai, T., 1994

    Research output: Exhibits, objects and web-based outputsComposition

  97. Published

    Meteor for harp solo, in memory of Dr.Mori [9 minutes]

    Rai, T., 1993

    Research output: Exhibits, objects and web-based outputsComposition

  98. Published

    Review of Gareth Cox, Anton Weberns Studienzeit, Frankfurt a.M.: Lang 1992

    Boynton, N., 1993, In: Music and Letters. 74, 3, p. 462-463 2 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  99. Published
  100. Published
  101. Published

    Review of Karlheinz Essl, Das Synthese-Denken bei Anton Webern: Studien zur Musikauffassung des späten Webern unter besonderer Berücksichtigung seiner eigenen Analysen zu op. 28 und 30, Tutzing: Schneider 1991

    Boynton, N., 11/1992, In: Music and Letters. 73, p. 632-633 2 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  102. Published

    Composing out the principles of music analysis across the wider musical community

    Mawer, D., 04/1992, Society for Music Analysis Newsletter, 1, p. 8-12 5 p.

    Research output: Contribution to specialist publicationArticle

  103. Published

    Alexander Goehr: A Checklist of his Writings and Broadcast Talks

    Boynton, N., 1992, In: Music Analysis. 11, 2-3, p. 201-208 8 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  104. Published

    Three Inventions for soprano saxophone, double bass, piano, harp and a signal processing computer [14 minutes]

    Rai, T., 1992

    Research output: Exhibits, objects and web-based outputsComposition

  105. Published

    Style for string quartet [11 minutes]

    Rai, T., 1991

    Research output: Exhibits, objects and web-based outputsComposition

  106. Published

    Broken White for 8 instruments (flute, oboe, clarinet, trombone, violin, viola, cello, piano) [10 minutes]

    Rai, T., 1990

    Research output: Exhibits, objects and web-based outputsComposition

  107. Published

    Sparkle for bass clarinet and tape [11 minutes]

    Rai, T., 1989

    Research output: Exhibits, objects and web-based outputsComposition

  108. Published

    Four inventions for piano and a signal processing computer (rev. 1996) [15 minutes]

    Rai, T., 1988

    Research output: Exhibits, objects and web-based outputsComposition

  109. Published

    Recursive Figuration for 6 cellos [8 minutes]

    Rai, T., 1987

    Research output: Exhibits, objects and web-based outputsComposition

  110. Published

    Five inventions accompanied by computers for clarinet, cello and piano [15 minutes]

    Rai, T., 1986

    Research output: Exhibits, objects and web-based outputsComposition

  111. Published

    Friction for alto flute, clarinet, piano and harp [9 minutes]

    Rai, T., 1986

    Research output: Exhibits, objects and web-based outputsComposition

  112. Published

    Transparency for harp and tape [8 minutes]

    Rai, T., 1984

    Research output: Exhibits, objects and web-based outputsComposition

  113. Published

    Junction for alto flute, violin, cello and harp [7 minutes]

    Rai, T., 1983

    Research output: Exhibits, objects and web-based outputsComposition

  114. Published

    Pain for two computers (tape) [11 minutes]

    Rai, T., 1983

    Research output: Exhibits, objects and web-based outputsComposition

  115. Published
  116. Published

    Isolation for bass clarinet and tape (or three bass clarinets), 11'

    Rai, T., 1980

    Research output: Exhibits, objects and web-based outputsComposition

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